지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
This study aims to analyze the body image shown in the works of Maya Deren regarded as the founder of dance films based on Deleuze’'s theory of image. Maya Deren’'s dance films are noticeable because they contain the beginning of such changes unlike the initial dance images simply recording dance performances.
So far, a few researches on Maya Deren’'s dance films have been conducted just to introduce her lifetime and works or to emphasize the expansion of dance expression. However, this study is different from advanced researches as it analyzes the body image shown in Deren’'s works from the aesthetic view by applying Deleuze’'s theory of image discussed in Cinema.
The virtual body images shown in Maya Deren’'s dance films discussed here in this paper have the ontological value equivalent to that of the actual body, and it is discussed to expose Time-Image overcoming Movement-Image. The significance of this study is to provide the ground of aesthetic discussion for virtual body images to be variously differentiated, transformed, and reconstructed in today’'s contemporary dance.
목차
등록된 정보가 없습니다.
참고문헌 (14)
참고문헌 신청
Deren. Maya / 1945 / Choreography for the camera / Dance Magazine
Elizabeth, C. / 2002 / Women in Motion : Loie Fuller and the “Interpenetration” of Art and Scientce / Camera Obscura 49
Martin. J. / 1945 / New York Times
Pramaggiore, M.(1997 / 1997 / Performance and Persona in the U.S. Avant-Garde : The Case of Maya Deren / Cinema Journal 36 (2) : 17 ~ 40
김말복 / 2003 / 무용예술의이해 / 이화여자대학교출판부
Elizabeth, C. / 2002 / Women in Motion : Loie Fuller and the “Interpenetration” of Art and Scientce / Camera Obscura 49
Martin. J. / 1945 / New York Times
Pramaggiore, M.(1997 / 1997 / Performance and Persona in the U.S. Avant-Garde : The Case of Maya Deren / Cinema Journal 36 (2) : 17 ~ 40
김말복 / 2003 / 무용예술의이해 / 이화여자대학교출판부
이 논문의 저자 정보
최근 본 자료
댓글(0)
0