메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국18세기영문학회 18세기영문학 18세기영문학 제11권 제2호
발행연도
2014.1
수록면
1 - 46 (46page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
Given that it has been categorized into popular fantasy literature in general and romance or the adventure fiction of fin-de-siècle with its stereotypical plot of successful elimination of alien invaders in particular,it is no wonder Bram Stoker’s Dracula (1897) has been suspected of itsconservatism. This paper aims to take issue with the common assumptionof Stoker having manifested unequivocal consent to every effort tomaintain the late Victorian society from what might destabilize the statusquo, ie, disarrangement of gender norm, homosexuality, and otherness/foreignness itself. Close reading of the text leads to Stoker’s tacitrecognition that the human/England/scientific civilization/heterosexualityis not so different from the monstrous Transylvania/barbaric superstition/homosexuality as it is supposed to be, since what happens inTransylvania in monstrous ways calmly repeats itself in England in mostnatural and humane ways. Furthermore, this thematic level of thenarrative is supported by the very singular narration method, known asso-called “Mina’s vampiric typewriting,” which seems to make use ofthe vampires’ way of (re)production. With these analyses, I argue thatStoker is anything but conservative, secretly showing his sympathy toward all those hidden ‘monsters’ living in the contemporary society.

목차

등록된 정보가 없습니다.

참고문헌 (33)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0