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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Using the case of the Ballets Russes, this paper continues an interrogation of the viability of applying Edward Said’s definitions of Orientalism to the sphere of the arts. Although in his original study, Orientalism, Said explicitly asserts that his study is a delimited analysis focused principally on British and French 18th- and 19th-century academic Orientalism and that he is not analyzing so-called Orientalist painting and literary artists such as Flaubert, his followers, and later Said himself, extended his theoretical framework to include studies of literature and the arts.
By examining the profundity of the rupture caused in the aesthetic sphere by the arrival of the Ballets Russes in Paris in 1909, this study simultaneously repositions the works of the Russian ballet troupe to the center and the very beginning of European modernism and attempts to show how its radically subversive works undermine the notion of such facile categories as “East” and “West” or “Oriental” and “Occidental.” In addition to examining the paradoxes of cultural transmission inherent in the group’s works, which belie the existence of rigid civilizational borders in the arts,the study also proposes a reconsideration of European modernism by re-examining the place of ballet in the modernist movement; the significance of the work of the group’s producer Serge Diaghilev, designers Leon Bakst and Natalia Goncharov, choreographer Mikhail Fokine, composer Igor Stravinsky and performers such as Ana Pavlova, Ida Rubinstein and Vaslav Nijinsky; and of the work produced in collaboration with the Ballets Russes by European artists, composers and designers such as Pablo Picasso, Henri Matisse, Claude Debussy, Erik Satie and Coco Chanel.
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참고문헌 (18)
참고문헌 신청
Bailey, Rosemary / / See France through Artists’ Eyes / The Guardian
Bernstein, Matthew / 1997 / Visions of the East:Orientalism in Film / London: I.B.Tauris and Co Ltd
Bowlt, John E. / 2010 / Leon Bakst, Natalia Goncharova and Pablo Picasso, In Diaghilev and the Golden Age of the Ballets Russes 1909-1929 edited by Jane Pritchard / London: Victoria &
Garafola, Lynn / 1999 / The Ballets Russes and Its World / New Haven and London: Yale University Press
Goodall, Howard / 2010 / Music and the Ballets Russes, In Diaghilev and the Golden Age of the Ballets Russes 1909-1929 / London: Victoria & Albert Publishing : 103 ~ 128
Bernstein, Matthew / 1997 / Visions of the East:Orientalism in Film / London: I.B.Tauris and Co Ltd
Bowlt, John E. / 2010 / Leon Bakst, Natalia Goncharova and Pablo Picasso, In Diaghilev and the Golden Age of the Ballets Russes 1909-1929 edited by Jane Pritchard / London: Victoria &
Garafola, Lynn / 1999 / The Ballets Russes and Its World / New Haven and London: Yale University Press
Goodall, Howard / 2010 / Music and the Ballets Russes, In Diaghilev and the Golden Age of the Ballets Russes 1909-1929 / London: Victoria & Albert Publishing : 103 ~ 128
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