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In Rus’, Sophia-Holy Wisdom started to be worshiped with the introduction of Oriental Orthodoxy. Even though there was some difference in times, Sophia was a dominant factor in the Rus’ culture from the 10th to 17th centuries. For the Rus’ people, Sophia had more significance in arts and aesthetics than in Orthodox doctrines and theology. In addition, the Rus’ people regarded Sophia as Holy Wisdom with personality and femininity. Churches and icons represent the cultural heritage of the Rus’ people's worship of Sophia. In particular, icons deserve special attention, as they show unique styles and a view of the world in relation to the Rus’ people’s worship of Sophia. In the early 20th century, Russian orthodox philosophers advocated Sophiology based mainly on the Sophia icons of Rus’. This paper examines unique aspects of the worship of Sophia, which lasted from the 15th to 17th century in Rus’ after Oriental Orthodoxy had been introduced, focusing on Sophia icons produced and widely used by the Rus’ people. This paper has three important themes. First, the origin and meaning of the term “Sophia” is examined. Second, characteristics of Sophia icons in Byzantium are briefly introduced. Lastly, examples of icons in Rus’, their structural features, and the Rus’ people’s view of the world are analyzed.
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