인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
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개인구독
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지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록·키워드
This paper aims to clarify the essence of Tolstoy’s ‘good art’ and it’s meaning in his late essay What Is Art? in junction with Community Arts of 21th. Since its first appearance in 1897, Tolstoy’s What Is Art? has simulated dispute. The main issues among the dispute have been the unremitting moralism of the essay in its approach to art, and the arbitrary and unique theory of ‘good art.’ In his essay Tolstoy defines good art “in the full meaning of the word” as an expression of a feeling or experience in such a way that readers(audience) can share that feeling or experience. According to Tolstoy, good art is intelligible and comprehensible to most people, and the most important quality of art work is its sincerity. Any true work of art expresses original thoughts and feelings of everybody. The highest feelings which art express are related to religious perception. Tolstoy emphasizes the infection of the feeling which comes from the religious perception, and considers it as a basic condition of sincere art.
In this paper we examine the concept of Tolstoy’s universal(good) art and his ideas of future art, which are interestingly realized in today’s Community Arts activities. More than 120 years before the concept of ‘Cultural Democracy’ appears, Tolstoy advocated ‘Art for Everyone’, and penetrated the models and value of Community Arts. The main issues in Tolstoy’s What Is Art? are newly presented at the scene of the 21th Community Arts.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
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