메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국근대영미소설학회 근대영미소설 근대영미소설 제20권 제3호
발행연도
2013.1
수록면
125 - 146 (22page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
Chance was Conrad’s first commercial success in his writer’s career. One of the reasons for its success might be that the author’s melodramatic imagination was more markedly crystallized in the novel than in the preceding works. Melodramatic emotionality informs the plight of the heroine, Flora, as a damsel in distress. Viewed from the perspective of melodramatism, Flora stands for “innocence beleaguered” and feminine passivity. The innocent heroine is melodramatically flanked by the gallant hero and the mischievous villain, for her good or evil. Flora is also the object of desire, a melodramatic object par excellence, sought by Captain Anthony, Powell, Marlow and her father, de Barral, in their respective ways. Chance reads like a melodramatic piece for its quality of domestic drama, its lack of psychological depth in characterization, and its heavy dependence on the workings of chance. Conrad’s melodramatism in this novel does not lower his status as a bona fide artist of fiction. It rather shows off the multifarious artistry of Conrad the novelist, a novelist who evidently knew the use of melodrama as a modern form, as a response to the historical symptoms of modernity.

목차

등록된 정보가 없습니다.

참고문헌 (36)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0