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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
대한무용학회 대한무용학회논문집 대한무용학회논문집 제56권 제56호
발행연도
2008.1
수록면
270 - 285 (16page)

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초록· 키워드

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The purpose of this study shows a cultural phenomenon in which the role of dancers became diversified and those who studied jazz dance participated in various musical performances along with a range of dance musicals. Meanwhile, this study aims to deliver a qualitative approach to obtain a change of cognition which would improve when dancers feel the need for more detailed training methods to better demonstrate the characteristics, not of pure dancing, but of a musical, and are made to experience an “etude”, like impromptu actors used in plays. Regarding research methods, the study made 7 participants- who currently major in jazz dance, had ever participated in a musical performance more than once, and never experienced an etude- experience the etude for 12 weeks. Concerning the analysis, the study reflected observations daily for 2 participants (one with a doctoral degree and the other in a doctoral course) along with results from the classification by area of an inductive analysis through an in-depth interview and the preparation of a personal report. Then, the study gained the following four results, involving first, perception of concentration, second, an increase in patience, third, the acquisition of confidence, and fourth, the perception of professionalism. Therefore, the study reached the conclusion that it is necessary for jazz dancers who pursue a dramatic musical, to train in how to arouse ‘emotion’ rather than to command techniques through physical training. Namely, it would be necessary to conduct follow-up research into a training methodology enabling dancers to demonstrate their inner expressions suited to situations and roles.

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