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논문 기본 정보

자료유형
학술저널
저자정보
Thompson, Erik Robb (The Catholic University of Korea)
저널정보
미래영어영문학회 영어영문학 영어영문학 제25권 제1호
발행연도
2020.2
수록면
407 - 430 (24page)
DOI
10.46449/MJELL.2020.02.25.1.407

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초록· 키워드

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This paper theorizes Stevens" poems as Modernist responses to Keats in terms of the psychoanalytic theory of Donald Winnicott, one of the founders of the British school of Freudian psychoanalysis. This study sees Stevens" poetic dialogs with Keats as a Winnicottian transitional space where Keats"s presence acts as a stepping stone for Stevens to venture into the stark, materialist poetics of Modernism. In contrast to Harold Bloom who sees poems as artful, oedipal evasions of precursors stemming from an anxiety of influence, Winnicott sees destructive appropriation of the cultural predecessors as a form of destructive play. For Stevens, Keats"s concept of the world as a vale of soul making is only possible vis—vis a radical notion of otherness: creating a safe space in which the other may be perceived truly as other, and not merely as a subjective projection of the romantic poet. This dovetails with Winnicott"s theory of transitional spaces, where a beloved object is created, annihilated, and then resurrected, with its human projections miraculously stripped from it. Through its survival in the same psychic space, the object becomes beloved again. For Stevens, the poetic goal in this process is the anti-romantic poetic speech that partakes in what Stevens later terms life"s voluble utterance.

목차

Ⅰ. Introduction
Ⅱ. Critical Background
Ⅲ. Autumn Refrain
Ⅳ. Anecdote of the Jar
Ⅴ. Conclusion
Works Cited
Abstract

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