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논문 기본 정보

자료유형
학술저널
저자정보
Lee, Jieun (Wake Forest University)
저널정보
신영어영문학회 신영어영문학 신영어영문학 제75집
발행연도
2020.2
수록면
101 - 120 (20page)
DOI
10.21087/nsell.2020.02.75.101

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초록· 키워드

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This paper investigates Lloyd Suh’s American Hwangap (2007), about a Korean American family’s prodigal father who comes back home for his sixtieth birthday, hwangap, after a fifteen-year absence. Depicting this important Korean cultural life stage, the play dramatizes how Korean American family members cope with familial struggles and conflicts over the construction of diasporic identities and the sense of belonging. Moreover, the idea of space reflects the transformative condition of the Korean diaspora in the process of revealing how homecoming, homemaking, and homebreaking are mutually integrated into the play. In this paper, I conceptualize the configuration and spatial imagination of liminal belonging through the dramatization of Korean diasporic family, demonstrating how family members of different generations meet, confront, and reconcile with each other. In the play, this architecture of liminal belonging does not entrap becoming a Korean diaspora with pessimism but rather renovates its space as an area for diasporic hope in between histories and generations.

목차

Ⅰ. Introduction
Ⅱ. Fallen American Dream and Failed American Hwangap
Ⅲ. Diasporic Rite of Passage : Hwangap for Everyone’s Rebirth
Ⅳ. Liminal Belonging in Korean American Home : Historical and Hopeful Formations
Ⅴ. Conclusion
Works Cited

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