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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- The Academy of Korean Studies THE REVIEW OF KOREAN STUDIES THE REVIEW OF KOREAN STUDIES Vol.5 No.2 DECEMBER 2002
- 발행연도
- 2002.12
- 수록면
- 111 - 132 (22page)
이용수
초록· 키워드
오류제보하기
In colonial Korea, diverse discourses were produced and collided in the public sphere, representing different kinds of desires in the levels of nation, status, and gender. Especially, it is notable that the private issues such as love affairs, marriage and sexuality were widely raised in the newspapers, popular magazines and literary works published in 1910-1930s. Through the analysis of these materials, this paper tries to look into the aspects of discursive representation of the collision of modern desires in colonial Korea by revealing the relationship between gendered nationalism and female sexuality and the distortion of female sexuality under colonial social conditions.
First of all, I pay attention to the construction of modern self through the realization of sexual subject in the discourses by new woman and compare it with the gendered nationalism that reconstructs and controls female sexuality in the formation of a nation. This intends to reveal the conflicting structure between male and female intellectuals in the period of modernization, who can not be unified in one nationalistic voice, being placed in the same situation as the colonized but of different material and mental base. Second, I examine the image of modem girl in 1930s, which is overlapped with the image of new woman in 1910-1920s, showing the process how the female desire was frustrated and distorted in the system of colonial capitalism. Especially, I pursue the proliferation of pleasure in public areas by the mechanism of using female sexuality and the vague location of the modem girl who is the mediation of pleasure business but the subject of self-enjoyment of modern culture.
Actually, the image of the modem girl, as a variant of new woman, was an ambivalent object of criticism and fascination in colonial Korea. However, the negative image of the modem girl as material vanity and sexual corruption has been repeatedly represented in the discourse of male intellectuals with a critical and nationalistic view. This paper tries to reveal this composite image of the modem girl representing a contradictory female sexuality as a complex product of colonial modernity that consists of colonialism, capitalism, and modern patriarchy.
First of all, I pay attention to the construction of modern self through the realization of sexual subject in the discourses by new woman and compare it with the gendered nationalism that reconstructs and controls female sexuality in the formation of a nation. This intends to reveal the conflicting structure between male and female intellectuals in the period of modernization, who can not be unified in one nationalistic voice, being placed in the same situation as the colonized but of different material and mental base. Second, I examine the image of modem girl in 1930s, which is overlapped with the image of new woman in 1910-1920s, showing the process how the female desire was frustrated and distorted in the system of colonial capitalism. Especially, I pursue the proliferation of pleasure in public areas by the mechanism of using female sexuality and the vague location of the modem girl who is the mediation of pleasure business but the subject of self-enjoyment of modern culture.
Actually, the image of the modem girl, as a variant of new woman, was an ambivalent object of criticism and fascination in colonial Korea. However, the negative image of the modem girl as material vanity and sexual corruption has been repeatedly represented in the discourse of male intellectuals with a critical and nationalistic view. This paper tries to reveal this composite image of the modem girl representing a contradictory female sexuality as a complex product of colonial modernity that consists of colonialism, capitalism, and modern patriarchy.
목차
1. Introduction
2. Formation of Modern Self and Narratives on Love
3. Proliferation of Pleasure and Colonical Capitalism
4. Conclusion
References
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