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논문 기본 정보

자료유형
학술저널
저자정보
Hande Asar (Istanbul Technical University) Carolin Stapenhorst (Erfurt University of Applied Sciences)
저널정보
한국디자인학회 Archives of Design Research Archives of Design Research Vol.33 No.3 (Wn.135)
발행연도
2020.8
수록면
45 - 52 (8page)
DOI
10.15187/adr.2020.08.33.3.45

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초록· 키워드

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Background : Architectural representation, nurtured by the interaction between design thinking and design action, is inherently multi-layered. However, the representation object cannot always reflect these layers. Therefore, it is claimed that these reflections and layerings can gain visibility through ‘performativity in personal knowledge’, which basically has a performative character. The specific layers of representation produced during the performativity in personal knowledge permit insights about the ‘personal way of designing’ [1]. Therefore, the question, ‘how can these layered drawings be decomposed to understand the personal way of designing’, can be defined as the beginning of the study. On the other hand, performativity in personal knowledge in architectural design is handled through the relationship between explicit and tacit knowledge and representational and non-representational theory. To discuss the practical dimension of these theoretical relations, Zvi Hecker’s drawing of the Heinz-Galinski-School is examined as an example. The study aims to understand the relationships between the layers by decomposing a layered drawing analytically in order to exemplify personal ways of designing.
Methods : The study is based on qualitative research methodologies. First, a model has been formed through theoretical readings to discuss the performativity in personal knowledge. This model is used to understand the layered representations and to research the personal way of designing. Thus, one drawing of Hecker’s Heinz-Galinski-School project is chosen. Second, its layers are decomposed to detect and analyze diverse objects, which hint to different types of design tools and their application. Third, Zvi Hecker’s statements of the design process are explained through the interview data [2] and other sources. The obtained data are compared with each other.
Results : By decomposing the drawing, eleven layers are defined. These layers are used to understand the relation between the design idea and its representation. They can also be thought of as a reading system. In other words, a method to discuss Hecker’s performativity in personal knowledge is developed. Furthermore, the layers and their interconnections are described in relation to Zvi Hecker’s personal way of designing.
Conclusions : It can be said that layered representations, which are associated with the multilayered structure of performativity in personal knowledge, form the personal way of designing.
#Architectural Design #Architectural layered Representation #Personal Way of Designing #Performativity in Personal Knowledge

목차

Abstract
1. Introduction
2. Theoretical framework of layering in representation
3. Decomposing of the drawing
4. Hecker’s statements about the design process
5. Conclusion
References

참고문헌 (21)

참고문헌 신청
Ackerman, J. S. / 2002 / Origins, Imitation, Conventions, Representation in Visual Arts / The MIT Press :293~317 google schola Asar, H. / 2018 / Personal narratives in architectural representation: Mixed structured representations and their expressions / Uluslararası Hakemli Tasarım ve Mimarlık Dergisi (14):118~143 google schola Belogolovsky, V. / Interview with Zvi Hecker: Good architecture cannot be legal; it is illegal! google schola Cadman, L. / 2009 / International Encyclopedia of Human Geography / Elsevier :456~463 google schola Cross, N. / 2006 / Designerly ways of knowing / Springer-Verlag London Limited google schola

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