인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한복문화학회 한복문화 韓服文化 第23卷 第3號
- 발행연도
- 2020.09
- 수록면
- 109 - 131 (23page)
- DOI
- 10.16885/jktc.2020.09.23.3.109
이용수
초록· 키워드
Black clothes in the late Joseon Dynasty disappeared due to the strong driving force of the momentum of modernity. This study investigated the meaning of black clothes in the late Joseon Dynasty, which is closest to when you perceive it as a tradition and accounts for most relics. To overcome the preconceived notion and inductive or empirical research method applied when studying the traditional costume, "the Virtual" and the deductive study was conducted to understand the potential value and meaning of black clothes in the Korean tradition. The color of black in black clothes in the late Joseon Dynasty was not a simple black but with a slight cast of red, blue, green, and achromatic gray colors. The color of black symbolized a governance system by ritual ceremonies, a dynamism through the energy of yin and yang, and a social order. The reflection of black color in the ceremonial rituals of the Neo-Confucianism can be divided into five categories: clothes for ancestral rites and wedding, clothes for diplomatic events, clothes for a public official, headdress for the Seonbi, and black trimming for a scholar. Danryeong and military uniforms were black color, which was integrated the yin yang and five elements. Lastly, crown prince and princess clothes, hapi, fur headdress and boots, and servant clothes used black color to indicate the social status. As a result, black clothes in the late Joseon Dynasty had a spiritual meaning. Since the opening of ports, especially after the Gabo reform in 1894, the movement to abolish the caste system to build an equal society reduced the solemn and rigid attitudes enforced by Neo-Confucian rituals, abolished gat and pelangi, and dressed all classes in black, which meant the best and lowest colors in Joseon society at the same time.
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목차
- ABSTRACT
- Ⅰ. 서론
- Ⅱ. 조선 후기 복식에 사용된 검은색
- Ⅲ. 조선 후기 성리학적 질서가 반영된 검은색 복식
- Ⅳ. 논의: 조선 후기 검은색 복식의 상징 구조
- Ⅴ. 요약 및 결론
- 참고문헌
참고문헌
참고문헌 신청최근 본 자료
UCI(KEPA) : I410-ECN-0101-2020-300-001311049