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저자정보
(경북대학교)
저널정보
대구가톨릭대학교 인문과학연구소 인문과학연구 인문과학연구 제29호
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    초록·키워드

    This research is trying to specialized reciprocal cross over ‘discourse’ beyond the narrative characteristic of fiction and films focusing on a storyteller, ascetic distances between a storyteller and a story, which is an important concept in the arena of literature writing. This article analyzes the discourse which is locating the interface between fiction and film as a text to substantiate, comparing Akutagawa’s <Mikan> and a film, <Tony Takitani>. These pieces are belong to different genres as well as a century-long time zone. However it is meaningful in that they have something in common with new grammar as a text of cross over comparison. That is, Akutakaya had recognized a film, an appearance of a new media, as a new arena of the modern fiction and tried to realize a filmic grammar in a fiction. On the contrary, Haruki had resurrected the power of reading a fiction from the ostracism of novel reading overflow of visual excitation. The movie, <Tony Takitany> has opened up a possibility of reading-function from visual-audio media, which Haruki had rejected to have movie version of his novel. Finally, the research is contributing to develop a concrete methodological strategy of media-mix as well as build up basic data for the future research in this area.

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