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논문 기본 정보

자료유형
학술저널
저자정보
김경진 (계원예술대학)
저널정보
대한건축학회 대한건축학회논문집 大韓建築學會論文集 第37卷 第12號(通卷 第398號)
발행연도
2021.12
수록면
3 - 10 (8page)

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초록· 키워드

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This study is about material image and form image applied to memorial and museography. Gaston Bachelard had explained that the imagination of creator would be thought in the aspect of material cause. Architect"s schema mediates between imagination and expression in architecture work. Daniel Libeskind has expressed the architectural concept through the lines with drawing works. According to Daniel Libeskind, Jewish Museum Berlin is about two lines thinking, organization, and relationship. One line is oriented to temporality and the other line is oriented to spatiality. The purpose of this study is to analyze expression methods of Daniel Libeskind in memorial architecture with body perception. Daniel Libeskind has tried to use material image in exhibition as axis and void made of lines. This method has a role to spatialize the contextual architecture into a form image. It makes visitor"s experience as otherness with combining images(invisible matrix). It would be understood as metonymic characteristics. Daniel Libeskind has characterized museography and memorial architecture as counter-monument. Through this, the exhibition makes possible the dialogic representation in memorial architecture. The exhibition space provides a path with connection of invisible placeness. Therefore this study explicate how the material image works together with the concept of lines.

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Abstract
1. 서론
2. 다니엘 리베스킨트의 건축적 표현과 메모리얼 건축
3. 다니엘 리베스킨트의 메모리얼 건축에서의 선(line)
4. 결론
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