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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국연극교육학회 연극교육연구 연극교육연구 제20권 제20호
발행연도
수록면
143 - 171 (29page)

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초록· 키워드

The circus is a performance which began from the ancient religious ceremonies long time ago and it has existed as a means of major entertainment forms showing fighting, anger, hope, fear, challenge, survival and other major affairs of all cultures. The circus has followed it's history through Greece, Rome and Commedia del Arte of Medieval and was spread all over the world since France cavalry, Philippe Ashley introduced the sense of modern circus in 18C. Until then, the costumes were built by hand and attached with some of decorations on that period's outfits by circus families without a concrete concept of a circus costume. Around 19C, a french trapeze artist, Jules Leotards had developed flexible leotard fitted on the body. The circus business was increasingly thrived and popular and costumes were changed into flashingly splendid costumes, decorated with sequins, spangle and feathers. It was necessary that spectacular elements were required from a sense of urgency in the waves of change into large performances or movies. However, the costumes had to stay within the framework of the traditional circus costumes due to the lack of budget, the heterogeneity of traditions and customs and the characteristics of the circus which consists of a variety of acts. The professional costume designer, therefore, emerged very late by comparing with other performances. In 1950s and 1960s, the circus eventually was on the decline due to the impact of visual media such as movies and TV and averted from the public. During the flow of new art in the 1980s, the resurrection of the movement was called through the street artists and new forms were created between the genres. In addition, the appearance of new circus and art circus led to big changes in the artistic and commercial aspects, 'Cirque du Soleil', which has introduced creativity and unique beauty, is a representative company. Recently, the study on circus was activated owing to the revitalization of entertainment industry and 'Cirque du Soleil'. The interest and investment has been growing as part of a activation policy for the culture & art industry in Korea. Accordingly, a depth study as well as an accurate understanding for the circus costume became a very urgent need. The circus costumes should take precedence on the movement and safety without interrupting the acts. Durable costume would be suitable for long-term performance. Therefore, the research and development is essential in costume design, color, construction methods and materials. Costume, as a symbol, provides limitless imagination to the audience and could lead to the fantasy world of circus in which everything could happen with an open mind. Today's audience is a generation that has been raised in front of television, computer and video game. Their lives are surrounded by strong spectacles and lots of entertainments. It should be provided with a high level of performance by the beautiful and artistic costumes to evoke continuous interests of the circus. Another feature of the circus costume is an amusement. Ridiculous props, makeup and colorful and exaggerated costumes with bold colors impart dream, hope and joy to all ages. Unusual and mismatched discrepancy in costume evokes even familiarity and interest to the audience rather than the heaviness. If a depth study and creative development of using materials through the different functions and aspects were reflected in the design and construction, continuous blue ocean as well as high-level of circus performance in the culture and arts industry will go in the future.
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