인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
This study discusses the Chinese image and its meaning in the movie Wolf Warrior 2(2017) in terms of gender, nationality and African description.
Unlike the previous Chinese films with women as the main characters, this movie inverts the gender order in the cultural symbol system by setting a man named Leng Feng as the main character. In particular, Leng Feng is a symbol of China, and the movie depicts several times his masculinity reaffirmed, and in the end, China, depicted as a male subject, shows its desire to stand as a subject in the world order through winning the confrontation with the villain.
On the other hand, at this point, we can also see the signs of transition in the process of converting cultural subjects. Apart from the development of events in the movie, it frequently exposes the Five-star Red Flag, which symbolizes China, and reminds the audience of China"s status through repeated lines related to China. This can be interpreted as a longing for approval, and the paradoxical situation of nervousness behind confidence can be found in that China in the movie is a country that wins victory and is recognized by Africa.
Finally, through the fact that the background of this movie is Africa, I would like to examine the historical relationship and meaning between China and Africa. In this movie China is playing the role of the father of Africa, and is the protector of Africa. However, it can be said that there is a limit to the fact that it replaces Africa"s civil war with a Chinese phenomenon by setting Africa as an object to be seen and focusing on showing off China"s capabilities.
상세정보 수정요청해당 페이지 내 제목·저자·목차·페이지Unlike the previous Chinese films with women as the main characters, this movie inverts the gender order in the cultural symbol system by setting a man named Leng Feng as the main character. In particular, Leng Feng is a symbol of China, and the movie depicts several times his masculinity reaffirmed, and in the end, China, depicted as a male subject, shows its desire to stand as a subject in the world order through winning the confrontation with the villain.
On the other hand, at this point, we can also see the signs of transition in the process of converting cultural subjects. Apart from the development of events in the movie, it frequently exposes the Five-star Red Flag, which symbolizes China, and reminds the audience of China"s status through repeated lines related to China. This can be interpreted as a longing for approval, and the paradoxical situation of nervousness behind confidence can be found in that China in the movie is a country that wins victory and is recognized by Africa.
Finally, through the fact that the background of this movie is Africa, I would like to examine the historical relationship and meaning between China and Africa. In this movie China is playing the role of the father of Africa, and is the protector of Africa. However, it can be said that there is a limit to the fact that it replaces Africa"s civil war with a Chinese phenomenon by setting Africa as an object to be seen and focusing on showing off China"s capabilities.
정보가 잘못된 경우 알려주세요!
목차
- 1. 들어가며
- 2. 문화 주체 획득 중의 중국
- 3. 아프리카의 묘사와 그 의미
- 4. 나오며
- 參考文獻
- Abstract
참고문헌
참고문헌 신청최근 본 자료
UCI(KEPA) : I410-ECN-0101-2022-910-001336344