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자료유형
학술저널
저자정보
이종무 (제주한라대학교)
저널정보
중국문화연구학회 중국문화연구 中國文化硏究 第57輯
발행연도
2022.8
수록면
1 - 22 (22page)

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Based on various views on ‘Space’, This study focuses on the meaning of Buddhist temples as a space for safety and liberation and the placeization of this Space. Furthermore, the Purpose of this study is to analyze temple-related poems with a multi-layered meaning of ‘Space’—‘Temple’ as a Tense, Poem, and Background among the works of Song Dynesity, and to examine the psychology of writers who are the parties to ‘Space’ during the creation process.
Among the various requirements for approaching the fundamental Essence of poetry shape, ‘Space’ becomes the place where the poet’s creative act occurs, and can be said to be a store of poetic sentiment and a starting point of the shaping process.
Song-literati stayed at the Temple and wrote down about 900 poems. This suggests that the Buddhist temple was not only a space of religious faith, but also a place where poets and poets wanted to stop and stay.
It can be said that Song Dynasty’s Temple had a special meaning mentally and psychologically for some literatis at that time. It is a Space where you can feel the psychological Freedom and Deviation of Literati, and the level of Leisurely & Comfort, examine one’s Thoughts and conduct and Keep an eye on.
This “Spaceiness” of Temples was transformed into its own “Place” by opening the poet’s mind by making the poet’s psychology comfortable and stable during his stay. This is an objectified ‘Space’—‘Temple’ was integrated through the process of Identification with the poet’s Psychology.

목차

1. 들어가며
2. 공간으로서의 사찰 성격
3. 문인심리 속 사찰공간의 상징성
4. 나오며
參考文獻
Abstract

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