지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This thesis examines the characteristics of the female protagonist Suzu and her role as a reproducer of war memories, focusing on Fumiyo Kono's original manga "In this Corner of the World" published in 2006-2009 and an animated film produced in 2016. Through this, we examined how individual narratives are established as collective narratives. In addition, the meaning of the places of Hiroshima and Kure, which are the main spaces of this work, was highlighted.
Kure is the Suzu's memories place where of the air raid, loss of hers right hand, and the death of hers niece are imprinted on her, and Hiroshima is the place where Suzu's family was sacrificed. Both of these spaces are remembered as spaces of damage. Above all, Suzu's body is a collection of damage, and it is a space of damage that embodies the damage of war in person, and serves as a starting point to remember and reproduce the war after the war. Through an analysis of this work, I pointed out that this work, like other Japanese war literature, talks about anti-war peace from the standpoint of women and victims as victims. However, it can be said that the fact that the words of the perpetrator appear in the original and animated works, albeit ambiguous, along with the Korean flag, is an improvement in historical awareness. However, it is undeniable that this scene, which seems to appear as a discourse of remorse for the responsibility of the war, is abrupt from Suzu's behavior, which until then was adaptive to the social system. It can be said that the author's attempt to express all perceptions and discourses about war responsibility in a single Taegeukgi reveals the naivety of historical perception. Efforts are required to talk about anti-war and peace based on a more objective and thorough understanding of history.
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