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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 동국대학교 불교학술원 International Journal of Buddhist Thought and Culture International Journal of Buddhist Thought & Culture Vol.33 No.1
- 발행연도
- 2023.6
- 수록면
- 165 - 192 (28page)
- DOI
- 10.16893/IJBTC.2023.06.33.1.165
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초록· 키워드
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This paper interprets the relationship between built masses, “solids,” and “voids.” Through a biography of the rock monasteries analyzed from the perspective of “voids,” it intends to reach a deeper understanding of the monastery territory and the activities carried out within it. Several facets will be taken into consideration, starting with the reason why a monastery was built in a certain location and the extent of its “territory,” that is, the domain enclosed by the monastery’s boundaries. Then, the fact that natural features were manipulated to simplify the layout of the monastery and reach an intended result will be analyzed. The layout was certainly deemed very important because it had to answer the needs of a small community of monks as well as welcome large crowds during festive days; it required careful planning since it needed to be easily navigable. In a monastery, empty spaces were used to enhance specific areas of crucial buildings, link or separate particular areas, and smooth the use of some of its parts.
The monastery was a place that aimed at fostering religious experiences and impressing vivid “memories of place” in the mind of the person living there or visiting it. To reach this goal, the monastery planners used their skills to stimulate all sensorial experiences. Among them, we consider hearing, since sound could be measured. In fact, archaeoacoustics studies have been carried out in archaeological contexts. I will argue that sound—and its opposite, silence—were conceivably reckoned in the planning of a rock monastery.
In sum, in this paper, a rock monastery is understood as the summation of caves, free-standing buildings, as well as the unbuilt spaces around and between them.
The monastery was a place that aimed at fostering religious experiences and impressing vivid “memories of place” in the mind of the person living there or visiting it. To reach this goal, the monastery planners used their skills to stimulate all sensorial experiences. Among them, we consider hearing, since sound could be measured. In fact, archaeoacoustics studies have been carried out in archaeological contexts. I will argue that sound—and its opposite, silence—were conceivably reckoned in the planning of a rock monastery.
In sum, in this paper, a rock monastery is understood as the summation of caves, free-standing buildings, as well as the unbuilt spaces around and between them.
목차
Abstract
Choice of the Location
The “Territory” of the Monastery
Manipulation of the natural environment
The layout of the monastery
Sense of Direction, Symmetry, and Repetition
Sound and Silence
Void as Loss
Conclusion
References
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