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논문 기본 정보

저자정보
(국립타이난예술대학)
저널정보
한국미술연구소 미술사논단 美術史論壇 제56호
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    초록·키워드

    In 2016, Yuk Hui introduced the word “cosmotechnics” in his essay “The Question Concerning Technology in China: An Essay in Cosmotechnics.” The concept was further discussed in his “Art and Cosmotechnics” published in 2021. This has been the center of his research for the past few years. In his writings, Hui proposed that modern Western technology has been taken as some sort of universal and homogeneous subject, which he believes to have led to a fissure between technology and cosmology. Under his Chinese technical ideology, Hui articulated the fissure as a rift between“dao and qi”(the way and the tool). To reorganize the relation between “dao” and “qi,” Hui suggested that all nations should develop their own cosmotechnics by taking China as an example in his writing. He considered “Chinese cosmotechnics” equivalent to the “cosmotechnics of dao and qi.” Hui’s academic concerns toward the widespread concepts of technology, his interpretations of diverse technological development, alongside his reflections on modernity and globalization of technology are all highly appreciated here in this essay. However, this essay also finds Hui’s concept of “cosmotechnics” to be slightly disturbing. Here, Hui’s idea of “shan shui” being the heart of Chinese arts just as Greek tragedy symbolizes the heart of Greek literature, and his perspective of the Daoist “xuan” (profound) being the internal logic of quintessential Chinese arts will be further discussed. This essay shall offer and elaborate propositions concerning these obscure ideas introduced by Yuk Hui accordingly.

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      UCI(KEPA) : I410-ECN-0102-2023-650-001722147