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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2023.12
- 수록면
- 147 - 166 (20page)
- DOI
- 10.29323/mchina.2023.12.100.147
이용수
초록· 키워드
오류제보하기
For China, “The War to Resist US Aggression and Aid Korea” was the first national defense war after the founding of the country and the realization of proletarian internationalism. Above all, for the Chinese, it was a “victory” over the most powerful country in the world, the United States, and an invaluable experience in purifying China’s humiliating modern history of imperialism and colonization.
However, unlike after the 2000s, when the framework of collective memory was completed and layers of narratives were accumulated, it took a long “process” to establish the political foundations of the new country after the war. In addition, the collective memory of this war and its narrative of patriotism and internationalism was not a fixed form but was adapted to new political needs and directions as the domestic and international environment changed, internalizing the Cold War worldview. With this in mind, this paper examined the ideological mechanisms by which the war was internalized in the minds of the masses rather than in the upper echelons of the CCP during the Mao era, a formative period of “The War to Resist US Aggression and Aid Korea” collective memory.
Chapter 2 examined the public’s passivity at the beginning of the war and the process of war mobilization and national unity through the popular movement. In particular, noting that there was a difference between official and popular narrative methods in persuading “Aid Korea”, it was confirmed that literary, a popular narrative, is important to understand the psychological mechanism by which this war is internalized in the minds of the people. By comparing the representation of the images of the self and the other in the literature of the 1950s “The War to Resist US Aggression and Aid Korea” and in the cinema of the 1960s, Chapter 3 examined China’s Cold War self and world imagination as projected in this war through the ages.
However, unlike after the 2000s, when the framework of collective memory was completed and layers of narratives were accumulated, it took a long “process” to establish the political foundations of the new country after the war. In addition, the collective memory of this war and its narrative of patriotism and internationalism was not a fixed form but was adapted to new political needs and directions as the domestic and international environment changed, internalizing the Cold War worldview. With this in mind, this paper examined the ideological mechanisms by which the war was internalized in the minds of the masses rather than in the upper echelons of the CCP during the Mao era, a formative period of “The War to Resist US Aggression and Aid Korea” collective memory.
Chapter 2 examined the public’s passivity at the beginning of the war and the process of war mobilization and national unity through the popular movement. In particular, noting that there was a difference between official and popular narrative methods in persuading “Aid Korea”, it was confirmed that literary, a popular narrative, is important to understand the psychological mechanism by which this war is internalized in the minds of the people. By comparing the representation of the images of the self and the other in the literature of the 1950s “The War to Resist US Aggression and Aid Korea” and in the cinema of the 1960s, Chapter 3 examined China’s Cold War self and world imagination as projected in this war through the ages.
목차
Ⅰ. 들어가며
Ⅱ. 전쟁 시기, ‘항미원조 대중운동’을 통한 중국의 냉전적 국민화
Ⅲ. 항미원조 문예를 통한 냉전적 자아인지와 세계상상
Ⅳ. 나오며
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