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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2025.1
- 수록면
- 167 - 176 (10page)
이용수
초록· 키워드
To interpret the transformation of structure in Rem Koolhaas's works in Netherlands Dance Theater, Villa Dall’Ava, Kunsthal, and Maison ? Bordeaux, this study draws on concepts from epistemology and Peter Eisenman’s terminology: the representation of anteriority and perceptual representation. The representation of anteriority refers to the accumulated knowledge of architectural history, while perceptual representation relates to elements, such as a column, that deviate from traditional expectations. Eisenman explains that architecture gains criticality through repetition with difference. Repetition acknowledges the past, while difference enables a departure from it, allowing architecture to critique history by articulating divergence from tradition. In his transformation of structural elements, particularly columns, Koolhaas maintains a relatively small gap between these two representations. This approach balances visual expression with critical, non-linguistic statements. For instance, the polychrome columns in the Netherlands Dance Theater and the irregular slender columns of Villa Dall’Ava resist the rigid order of Modernity through their unexpected forms. The differentiation of the fifth column at the entrance ramp of Kunsthal stands out as the clearest example of a non-linguistic architectural statement. Through these subtle yet impactful deviations, Koolhaas integrates visual resistance with critical engagement.
#구조
#변용
#표상
#선행성
#반복
#차이
#비판성
#비언어적 진술
#structure
#transfiguration
#representation
#anteriority
#repetition
#difference
#criticality
#non-linguistic statement
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목차
- Abstract
- 1. 서론
- 2. 분석과 독해의 개념틀
- 3. 구조체 변용의 양태
- 4. 표상의 임계성과 비언어적 진술
- 5. 결론
- REFERENCES
참고문헌
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UCI(KEPA) : I410-151-25-02-092101104