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논문 기본 정보

자료유형
학술저널
저자정보
문경연 (Dongguk University)
저널정보
한국동서비교문학학회 동서비교문학저널 동서비교문학저널 제70호
발행연도
2024.12
수록면
159 - 185 (27page)
DOI
10.29324/jewcl.2024.12.70.159

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초록· 키워드

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This study examines two autobiographies by the dancer Choi Seung-hee, which have received limited scholarly attention, focusing on the “story of myself” as narrated by Choi. She published two distinct versions of her autobiography: one in Japanese in Tokyo in 1936 and the other in Korean in Gyeongseong (Seoul) in 1937. An analysis of these autobiographies reveals that Choi navigated the cultural forces of imperialism and nationalism under colonial rule, adopting different modes of autobiographical writing depending on the discursive contexts in which each work was produced. Written when Choi was 25 and 26 years old, these autobiographies are not retrospective memoirs composed later in life but rather attempts to reorganize and redefine her present self at the time. Having already achieved remarkable success as a dancer, Choi employed the autobiographical form not only to record her life but also to strategically address the “rumors” that surrounded her. Notably, the two texts differ in their approaches to exposing hidden truths and rebutting or clarifying rumors, as Choi tailored her narrative to two distinct audiences: Japanese and Korean readers. The “self” she constructed for each readership was thus markedly different. This study focuses not on uncovering the objective truths of Choi’s life but on analyzing how her subjective self-representations interacted with psychological motivations and socio-cultural contexts to shape the “truth” presented in the texts.

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ABSTRACT
Ⅰ. 서론
Ⅱ. 두 편의 자서전
Ⅲ. 『私の自敍傳』, 말하기와 침묵하기
Ⅳ. 『최승희자서전』과 파편화된 존재 증명
Ⅴ. 결론
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