인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록·키워드
Digital media have brought about a paradigm shift not only in daily life but also in the fashion industry. Changes are occurring in areas such as fashion production, consumption, and distribution, which have been explained by Rocamora (2016) using the concept of mediatization. Fashion brands are exploring the opportunities for media development through their fashion shows, increasing those shows’ commercialization by opening them up to purchase in real-time, and presenting collections that express brands narratives through digital modes such as fashion films. The purposes of this study are to examine how fashion shows have changed as digital media have developed and to analyze how they have become mediatized. There are four key research findings. First, brands communicate, interact, and share experiences with the public in real-time online. Second, as fashion shows have expanded into a virtual spaces, the scenography of fashion’s mediatization has centered on the runway. Third, in order to generate buzz on social media, brands stage a highly visible and spectacular fashion shows, which become mediatized when content from these events is uploaded to social media. Fourth, the establishment of the See Now Buy Now system, has brought brands and consumers into direct contact, allowing brands to meet consumer needs immediately and permitting brands to introduce seasonless items, in a move away from the previous practices. In these ways, fashion shows reveal brands’ responses to social changes and demands driven by digital media. The mediatization of those fashion shows extends their reach to fragmented and diverse audiences, and they are transformed in the metaspace.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
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