인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
The purpose of this study is to examine makeup culture through the vocabulary related to makeup during the Joseon Dynasty. The term makeup (化粧) is found in a novel of unknown date from the late Joseon Dynasty. Before that, there was ‘Jangsik(粧飾)’, and in the Joseon Dynasty, Jangsik(粧飾) meant not the act of decorating the face, but decoration of the body or ornaments. In addition, ‘Bundae (粉黛)’ was mainly referred to a ‘gungnyeo(court lady)’ or ‘gisaeng(female entertainer)’, that is, a ‘woman with fine makeup’, and only in the late Joseon Dynasty did it take on the meaning of ‘lightly painted makeup’.
During the Joseon Dynasty, cosmetics called ‘Jibun (脂粉)’ and ‘Yeonbun (鉛粉)’, and cosmetic tools such as ‘Jangryeom (粧奩)’ and ‘Gyeongdae (鏡臺)’ were used. Makeup, which was limited to royal women, court ladies, and courtesans, expanded its scope to the private sector in the late Joseon Dynasty through the emergence of cosmetics salesmen and the spread of cosmetics manufacturing methods. It can be seen that women during the Joseon Dynasty preferred light makeup, ‘Damjang (淡粧)’ rather than dark and flashy makeup such as ‘Yayong (冶容)’ or ‘Seongjang (盛粧)’.
#화장(化粧)
#화장 문화
#분대(粉黛)
#연분(鉛粉)
#장렴(粧奩)
#매분구(賣粉嫗)
#makeup
#makeup culture
#Bundae
#Yeonbun
#Jangryeom
#cosmetics sales woman (Mae Bun-gu)
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목차
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