This article offers a comprehensive reassessment of segmentation (fenzhang) and sequencing (bianlian) in the Guodian bamboo-slip text “Liude” (Six Virtues). Starting from the 1998 Jingmen Museum editio princeps, we compare key proposals: Qiu Xigui’s cautious partial reconnection (slips 7–8), Li Ling’s principle of prioritizing contiguous readable units, Chen Wei’s “co-compilation thesis” (integrating Liude with Zunde yi and Cheng zhi wen zhi), Shan Yuchen’s systematization, and Zhang Guye’s “new arrangement” (micro-moves of slips 1–5, 47, 48 and use of verso marks). Evaluated along two axes—codicological evidence (length, string-hole spacing, script, verso marks) and internal textual logic (argument flow, thematic cohesion, stylistics, intertextual controls)—our findings support the co-compilation framework at the macro level (due to strong physical concordance and doctrinal continuity across virtue–role–duty and “Heavenly Constants” modules). At the micro level, Zhang’s specific relocations improve both cohesion and alignment with material cues. We further show how disputed loci (e.g., “governing inside/outside the gate,” “wei fu jue jun”) shift interpretive weight under different arrangements, demonstrating that ordering is itself interpretive. We propose a two-tier “evidence-weighted rule”: (1) prioritize codicological constraints; (2) validate with readability and intertextual comparison. Situating Liude vis-à-vis Wuxing (virtue ethics vs role ethics), we argue that Liude articulates an early Confucian role-ethical architecture with the “Ren-inside/Yi-outside” principle contextualized across mourning, family, and civic domains. Future convergence requires high-resolution IR/multispectral imaging, cross-corpus collation with Tsinghua/Shanghai slips, and standardized digital workflows.