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논문 기본 정보

자료유형
학술저널
저자정보
(성균관대학교)
저널정보
한국현대문예비평학회 한국문예비평연구 한국문예비평연구 제14호
발행연도
수록면
179 - 209 (31page)

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초록· 키워드

This paper shows not the relation between literature and aesthetics, but the relation between aesthetics and politics, literature and politics in the pre/post-6.25war of North Korea. Especially, the relation between aesthetics and politics of North Korea is same as the relation between war and politics. They enter into the mechanistic relation each other.The Socialistic Realism is composed of the aesthetics for the communist society’s sake. North Korean literature is composed of the art for the government’s sake. The politics of war doesn't mean a difference in the politics of aesthetics. So the politics, war and aesthetics enter into the mechanistic relation in North Korea as Renin and Mao Zedong said that war was another face of politics. During the 6.25war, the aesthetics of North Korea praised the war; for example the poetry on the war and the hero. The heroic man is the aesthetic man based on the Socialistic Realism needed for making the communist society. This paper criticize North Korean aesthetic for the government’s sake. Furthermore, shows the literature for the unification of North and South Korea to be written by the point of view on the post-ideology. Because this kind of writing makes a contribution towards peace and unification without war. Also, why the politics of the post-ideology makes a contribution towards the politics for the ideal world.
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