인문학
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자연과학
공학
의약학
농수해양학
예술체육학
복합학
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지원사업
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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
Kim Woo-jin had not taken the appropriate position in the Korea drama history that was the reason for his expressionism dramas and his unique life. Moreover, his drama theories didn't interpret accurately in spite of the changing with time. In this paper, I tried to interpret his whole theatre theories to overcome this kind of problem.The point of reading his articles about drama theories, it had changed from the early perspective to the following it since 1925.First, I compared theatre theory of Kim Woo-jin with Osanai Kaoru's.As a result, inner side of his early theory had gotten from nationalization project discussion of the Meiji government. After that he translated and presented the western modern drama which had the essence of theater revolution. He had gotten an intention for making the standardized modern drama like as western style. In the process,he awaked to reality of Joseon during the Japanese Colonial Rule.Therefore, he found the possibility to overcome the colonial situation from German expressionism drama. He concerned about "Vitality" from German expressionism drama also "Life Force" from Bernard Shaw.The Life Force was the method to create for the Korean modern drama. Eventually, he wrote the play <a wild boar> using the life force. In Korea drama history, he became a very important post-colonial writer because of those works.
#김우진
#Kim Woo-jin
#Translation
#번역
#Post-Colonialism
#탈식민주의
#근대극
#Modern Drama
#Life Force
#생명력
#자유극장
#Theatre-Libre
#오사나이 가오루
#Osanai Kaoru
#Tsukiji Little Theater
#쓰키지소극장
#Naturalism Drama
#자연주의 연극
#표현주의 연극
#Expressionism Drama
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