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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2025.12
- 수록면
- 221 - 248 (28page)
- DOI
- 10.29324/jewcl.2025.12.74.221
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초록· 키워드
This paper examines how William Blake’s Visions of the Daughters of Albion presents the simultaneous oppression of women and nature. Addressing the discursive implications underlying the oppression, it analyzes why Blake’s understanding of nature has been challenging and briefly places Blake within the context of contemporary Romantic ecocriticism. This paper then reads Visions from the standpoints of ecofeminist philosophers Karen Warren and Val Plumwood.
Oothoon symbolizes the intimate connection between individual sexual liberation and nature. Her communion with nature demonstrates the pluralism and diversity of nature, while also symbolizing the problems that arise when nature is oppressed or subjugated. Bromion rape of Oothoon symbolizes issues of sexual violence, power relations, and the resulting subordination and exclusion. This episode reveals human exploitation and control of nature and sex. Furthermore, Theotormon’s ascetic repression demarcates the boundary between the ideal and the real, governing the hierarchy between the two. Exercising power within patriarchal conceptual frameworks, Theotormon’s violence mirrors Bromion’s actual violence.
Blake’s Visions dramatizes the concurrent oppression of both gender and nature through the combination of patriarchy and colonial oppression. The poet criticizes the hierarchical logic of domination surrounding nature and sex for undermining the diversity of nature and the health of the ecosystem, while simultaneously operating as a means for maintaining human power. Visions offers comprehensive ecofeminist insights into the historical and conceptual connections between the oppressive treatment of women and of nature in Blake’s time.
Oothoon symbolizes the intimate connection between individual sexual liberation and nature. Her communion with nature demonstrates the pluralism and diversity of nature, while also symbolizing the problems that arise when nature is oppressed or subjugated. Bromion rape of Oothoon symbolizes issues of sexual violence, power relations, and the resulting subordination and exclusion. This episode reveals human exploitation and control of nature and sex. Furthermore, Theotormon’s ascetic repression demarcates the boundary between the ideal and the real, governing the hierarchy between the two. Exercising power within patriarchal conceptual frameworks, Theotormon’s violence mirrors Bromion’s actual violence.
Blake’s Visions dramatizes the concurrent oppression of both gender and nature through the combination of patriarchy and colonial oppression. The poet criticizes the hierarchical logic of domination surrounding nature and sex for undermining the diversity of nature and the health of the ecosystem, while simultaneously operating as a means for maintaining human power. Visions offers comprehensive ecofeminist insights into the historical and conceptual connections between the oppressive treatment of women and of nature in Blake’s time.
#William Blake
#Visions of the Daughters of Albion
#ecofeminism
#dualism
#patriarchal conceptual framework
#윌리엄 블레이크
#올비언 딸들의 비전
#생태여성주의
#이원론
#가부장제 개념 틀
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목차
- ABSTRACT
- I. 들어가기
- II. 블레이크와 생태비평
- Ⅲ. 생태여성주의, 가부장제 개념틀, 『올비언 딸들의 비전』
- Ⅳ. 나가기
- Works Cited
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