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초록· 키워드
Colm Tóibín’s 2024 novel Long Island is a sequel to his critically acclaimed Brooklyn (2009), which was subsequently adapted into a commercially successful film in 2015. Long Island resumes the story of Irish emigrant Eilis Lacey in 1976, some 24 years after the events of Brooklyn, revealing how her assimilation into American society has not been fully realized. This article argues that Long Island can be seen as an authorial “corrective” to the Brooklyn film, which departed in significant respects from Tóibín’s novel, especially in its appending of a romantic ending that replaced the novel’s unresolved conclusion. Accordingly, this article begins by examining the 2015 film version of Brooklyn, detailing the numerous ways in which it departs from the original novel, before proceeding to demonstrate how Long Island seeks to undermine the film while reasserting its author’s original conception of his characters and themes. In doing so, this article demonstrates the phenomenon known as adaptation displacement, and Tóibín’s corresponding attempt to reverse it.
#Long Island
#Brooklyn
#Colm Tóibín
#sequels
#film adaptations
#immigration
#emigration
#Ireland
#Irish novelists
#Enniscorthy
#adaptation displacement
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목차
- Abstract
- Ⅰ. Introduction
- Ⅱ. How the Film Version of Brooklyn Departs from the Novel
- Ⅲ. Long Island as an Act of Authorial “Correction” of the Film Version of Brooklyn
- Ⅳ. Conclusion
- Works Cited
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