인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용 44
초록·키워드
A Study on the Digital Narrative of Webtoon Fan Translation and the Reader-Response
Korean Webtoon has its own digital narrative features. Webtoons are different from digital comics, web mangas and internet comics. Webtoon has gained its original genre characteristics through the remediation of self-reflective writings in digital era. However, the official translation of Korean Webtoon has changed Webtoons into simple digital comics.
Meanwhile, the rapid influx of new digital media technologies and platforms has made it possible for fans of various cultural texts to easily create and distribute their own secondary cultural works. A group of tech-savvy, Korean language proficient fans from different backgrounds have converged to form a "transnational fan community"(Blakley and Kaplan, 2009: 37) for the Korean Webtoon Tower of God. These fans have generated timely, efficient and emotionally appealing translations that have been circulated among members of the community.
The purpose of the study is: i) to observe and analyze the online reader-response of fan translations and official translations of the Webtoon Tower of God and ii) to suggest that Webtoon translation should transfer the digital interactivity of Korean Webtoon. To achieve the object of the study, the researcher examined the Korean-English fan translations and online fandom of Tower of God to understand what functions the translations served for fans and what was at stake in fan interactions for these communities. Also the researcher used “Internet Ethnography” as a research method in order to analyze the online discussion regarding Webtoon translation.
In particular, the study compared the established translations offered by Line Webtoon, the official distributor of Tower of God, with the amateur fan translations. The research into various message board posts within the fan community showed that former Webtoon fan translations transferred Webtoon’s digital narrative features, and suggested that the fans overwhelmingly preferred the fan translations offering Korean Webtoon’s digital interactivity. The study focused on the interpretative power of fans in generating fan translations with relevant meanings to the individual fan and the community in which the texts circulate.
Korean Webtoon has its own digital narrative features. Webtoons are different from digital comics, web mangas and internet comics. Webtoon has gained its original genre characteristics through the remediation of self-reflective writings in digital era. However, the official translation of Korean Webtoon has changed Webtoons into simple digital comics.
Meanwhile, the rapid influx of new digital media technologies and platforms has made it possible for fans of various cultural texts to easily create and distribute their own secondary cultural works. A group of tech-savvy, Korean language proficient fans from different backgrounds have converged to form a "transnational fan community"(Blakley and Kaplan, 2009: 37) for the Korean Webtoon Tower of God. These fans have generated timely, efficient and emotionally appealing translations that have been circulated among members of the community.
The purpose of the study is: i) to observe and analyze the online reader-response of fan translations and official translations of the Webtoon Tower of God and ii) to suggest that Webtoon translation should transfer the digital interactivity of Korean Webtoon. To achieve the object of the study, the researcher examined the Korean-English fan translations and online fandom of Tower of God to understand what functions the translations served for fans and what was at stake in fan interactions for these communities. Also the researcher used “Internet Ethnography” as a research method in order to analyze the online discussion regarding Webtoon translation.
In particular, the study compared the established translations offered by Line Webtoon, the official distributor of Tower of God, with the amateur fan translations. The research into various message board posts within the fan community showed that former Webtoon fan translations transferred Webtoon’s digital narrative features, and suggested that the fans overwhelmingly preferred the fan translations offering Korean Webtoon’s digital interactivity. The study focused on the interpretative power of fans in generating fan translations with relevant meanings to the individual fan and the community in which the texts circulate.
목차
- 제1장 서론 11.1 웹툰번역 현황 21.2 연구방법 및 연구문제 71.2.1 연구방법 71.2.2 연구문제 91.3 본고의 구성 11제2장 선행연구 132.1 웹툰의 디지털서사성 132.2 온라인 팬덤 연구 182.3 문화중재자로서의 팬번역 21제3장 분석대상 253.1 관찰대상 253.1.1 웹툰 팬번역 활동과 초국적 웹툰 팬덤 253.1.2 웹툰 신의 탑 팬번역 273.1.3 라인웹툰(LINE WEBTOON) 출범과 웹툰 팬번역 중단 293.2 인터넷 에스노그라피를 활용한 연구 실행 313.2.1 인터넷 에스노그라피란 313.2.2 인터넷 에스노그라피 실행하기 36제4장 분석결과 444.1 웹툰 팬번역의 디지털서사성 444.1.1 크레딧페이지 444.1.2 작가의 말, 블로그포스트 번역과 디지털서사성 강화 494.1.3 블로그 하기(blogging)를 통한 공유 544.2 웹툰 팬번역의 디지털서사성과 독자반응 614.2.1 해외 팬의 유대감 형성 614.2.2 세월호 디지털추모와 팬반응 654.3 웹툰 팬번역 중단 이후 독자반응 724.4 관찰결과 논의 83제5장 결론 88참고문헌 94영문초록(Abstract) 103
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