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DBpia AI
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논문 기본 정보
- 자료유형
- 학위논문
- 저자정보
- 지도교수
- 안병주
- 발행연도
- 2017
- 저작권
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The purpose of this study is to investigate the acceptance pattern of poppin dance in Korea, as it has been introduced and developed in Korea, by applying the acculturation theory. To accomplish this goal, we analyzed three stages of culture acceptance process, propagation / presentation phase, selection / acceptance phase, and resistance / reconstruction phase, which are applied to Korean influx and development process of street dance. In addition, we analyzed the acceptance pattern at each stage by the categorizing into acceptance base, factors for cultural acceptance, direction for cultural acceptance, attitude for cultural acceptance, and acceptance of culture. The specific study result can be summarized as follows.
First, the following is the result of analyzing the introduction and development of poppin dance in Korea. As the result, the acceptance patterns of poppin dance in Korea can be classified into three stages: presentation and propagation, acceptance and selection, and resistance and reconstruction. There were differences between the acceptance patterns of each stage.
Second, the following is the analysis result of acculturation phenomenon in the acceptance patterns of poppin dance in Korea. As the result, it was confirmed that the pop dance, which is an American culture, was influenced by the following: acceptance base, factors of cultural acceptance, direction of cultural acceptance, attitude of cultural acceptance, and contents of cultural acceptance. There were two acculturation phenomenon observed from these influences.
The poppin dance, a representative dance culture of America, was introduced in Korea, and it has been gaining much attention. It was analyzed that the phenomenon was settled as a new culture of Korea by going through various stages of cultural phenomenon, rather than taking place as a temporary trend. In such process, the direct exchange to accommodate culture played a decisive role. It is analyzed that the institutional basis of education also played a very important role in terms of how to convey the culture.
First, the following is the result of analyzing the introduction and development of poppin dance in Korea. As the result, the acceptance patterns of poppin dance in Korea can be classified into three stages: presentation and propagation, acceptance and selection, and resistance and reconstruction. There were differences between the acceptance patterns of each stage.
Second, the following is the analysis result of acculturation phenomenon in the acceptance patterns of poppin dance in Korea. As the result, it was confirmed that the pop dance, which is an American culture, was influenced by the following: acceptance base, factors of cultural acceptance, direction of cultural acceptance, attitude of cultural acceptance, and contents of cultural acceptance. There were two acculturation phenomenon observed from these influences.
The poppin dance, a representative dance culture of America, was introduced in Korea, and it has been gaining much attention. It was analyzed that the phenomenon was settled as a new culture of Korea by going through various stages of cultural phenomenon, rather than taking place as a temporary trend. In such process, the direct exchange to accommodate culture played a decisive role. It is analyzed that the institutional basis of education also played a very important role in terms of how to convey the culture.
목차
- Ⅰ. 서 론 11. 연구의 필요성 및 목적 12. 연구 내용 및 방법 41) 이론적 분석틀 : 문화 접변 이론 4(1) 문화 접변 이론의 개요 4(2) 문화 접변의 과정 62) 연구 방법 93. 연구의 제한점 104. 선행연구의 분석 12Ⅱ. 이론적 배경 311. 스트릿 컬처와 스트릿 댄스의 이해 311) 스트릿 컬처와 스트릿 댄스의 개념 312) 스트릿 컬처의 유형 333) 미국 스트릿 컬처와 스트릿 댄스의 관련성 342. 스트릿 댄스의 문화론적 이해 421) 미국 서부 문화와 Funk Style Dance 432) 미국 동부의 힙합(Hip Hop) 문화와 Hip Hop Style Dance 483. 팝핀 댄스의 역사적 고찰 511) 팝핀 댄스의 기원과 개념 512) 팝핀 댄스의 세부 스타일 53(1) 부갈루 스타일(Boogaloo Style) 53(2) 애니메이션 스타일(Animation Style) 54(3) 웨이브 스타일(Wave Style) 55(4) 북 스타일(Boog Style) 56(5) 기타 스타일 573) 팝핀 댄스의 대표 팀과 인물 59(1) BOOGALOO SAM(sam lee solomon) 63(2) POPPIN PETE(timothy solomon) 64(3) SKEETER RABBIT(Stephen Mark Nicholas) 64(4) POP ‘N’ TACO(bruno falcon) 65(5) MR WIGGLES(Steffan Clemente) 67(6) SUGA POP (Daniells-silva Steven pasi) 68Ⅲ. 팝핀 댄스의 한국 유입과 발전 과정에 나타난 수용 양상 701. 제시 및 전파 과정 702. 수용 및 선택 과정 773. 저항 및 재구성 과정 894. 팝핀 댄스의 한국 수용 양상 종합 95Ⅳ. 팝핀 댄스의 한국 수용 양상에 나타난 문화 접변 현상 100Ⅴ. 결론 및 제언 108참고 문헌 112ABSTRACT 119
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