인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용 80
초록·키워드
The purpose of this study is to study Anton Chekhov''s play, The Seagull, to construct and explore the “Masha” character on the stage.
Chekhov''s language is unclear and the plot is not specific. His work is a dialogue that depicts the scene of life that escaped from the aspect of conflict. Therefore, the conflicts and dramatic actions that are revealed in the existing plays are not revealed. In order to overcome these difficulties, the researcher constructed the “Masha” character in <Seagull> using Michael Chekhov''s “psychological gestures”.
This study was based on a demonstration at Dongguk University''s M.F.A. in the Department of Performing Arts, Graduate School of Film, from March to May 2013. In Chapter 2, the work analysis and Masha''s character analysis were conducted to help the general understanding of <Seagull>, and 1) imagination and image of “Michael Chekhov”, 2) body and image of imagination, and 3) psychological gestures were introduced. In Chapter 3, 1) subtext and 2) objects are used to implement the image of the body on the actual stage. 1) The key-words of the subtext are unrequited love and escape from reality, and attempts were made through the image of imagination. 2) The object was targeted at alcohol, cigarettes, and black clothes.
The research results are summarized as follows. 1) Imagination and image affect the actor''s psychology and body. 2) It allows actors to express more clearly and concretely. 3) An actor''s own expression is possible through an image.
Through the “technic training” of “Michael Chekhov,” the researcher was able to create three-dimensional characters and express them clearly on stage. I hope this study will be helpful to not only researchers, but also actors who study acting and students who explore Michael Chekhov''s acting training methods.
Chekhov''s language is unclear and the plot is not specific. His work is a dialogue that depicts the scene of life that escaped from the aspect of conflict. Therefore, the conflicts and dramatic actions that are revealed in the existing plays are not revealed. In order to overcome these difficulties, the researcher constructed the “Masha” character in <Seagull> using Michael Chekhov''s “psychological gestures”.
This study was based on a demonstration at Dongguk University''s M.F.A. in the Department of Performing Arts, Graduate School of Film, from March to May 2013. In Chapter 2, the work analysis and Masha''s character analysis were conducted to help the general understanding of <Seagull>, and 1) imagination and image of “Michael Chekhov”, 2) body and image of imagination, and 3) psychological gestures were introduced. In Chapter 3, 1) subtext and 2) objects are used to implement the image of the body on the actual stage. 1) The key-words of the subtext are unrequited love and escape from reality, and attempts were made through the image of imagination. 2) The object was targeted at alcohol, cigarettes, and black clothes.
The research results are summarized as follows. 1) Imagination and image affect the actor''s psychology and body. 2) It allows actors to express more clearly and concretely. 3) An actor''s own expression is possible through an image.
Through the “technic training” of “Michael Chekhov,” the researcher was able to create three-dimensional characters and express them clearly on stage. I hope this study will be helpful to not only researchers, but also actors who study acting and students who explore Michael Chekhov''s acting training methods.
목차
- 제1장 서론 1제1절 연구 목적 1제2절 연구 범위 및 방법 3제2장 역할창조의 전제 6제1절 텍스트 분석 61. 첫인상 및 줄거리 72. 장면 분석 143. 주제 234. 초목표 24제2절 ''마샤'' 인물 분석 251. 초목표 262. 인물 내적 및 외적 조건 273. 장면 목표 374. 인물들과의 관계 44제3절 ''미카엘 체홉''의 테크닉 연기의 실제 541. 상상력과 이미지 562. 상상의 신체와 중심 583. 심리 제스처 59제3장 역할 창조의 실제 63제1절 상상의 이미지를 활용한 서브텍스트의 신체적 구현 631. 짝사랑을 향한 갈망 642. 상실로 인한 현실 도피 69제2절 오브제를 통한 인물의 신체 이미지 구현 751. 술과 담배 : 절망적 상황에서 벗어나기 위한 대체재 762. 검은 옷 : 스스로에 대한 ''애도'' 93제4장 결론 102참고 문헌 106ABSTRACT 110
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