19-20세기 여성 작곡가의 성악 작품 연구 : Clara Schumann, Amy Beach, 周淑安을 중심으로 :Research on Vocal Works by Female Composers of the 19th and 20th Centuries : A Study of Clara Schumann, Amy Beach, and Zhou Shu'an

둥시차오

자료유형: 학위논문

저자정보: 둥시차오 (동서대학교, 동서대학교 일반대학원)

지도교수: 백진현

발행연도: 2024

저작권: 동서대학교 논문은 저작권에 의해 보호받습니다.

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초록· 키워드

19세기부터 20세기까지의 역사적 단계에서 여성의 자의식과 사회적 지위가 높아지기 시작하였다. 이러한 시대적 배경에서 여성 작곡가들은 그녀들만의 독특한 시각과 섬세한 감정으로 훌륭한 성악 작품을 많이 창작하였지만, 음악사에서 간과되는 경우가 많았다.
본 논문은 이 시기의 대표적인 여성 작곡가인 클라라 슈만(Clara Schumann), 에이미 비치(Amy Beach), 주숙안(周淑安)을 중심으로 그녀들의 생애와 음악적 성과를 살펴보고 성악 작품의 예술적 특성을 분석하였다.
비교 연구를 통해 이들의 성악 작품에는 여성 특유의 섬세한 감정과 낭만주의 색채가 반영되어 있으며, 저마다의 독특한 창작 스타일을 형성하였음을 알 수 있다. 이 작품들은 음악사에서 중요한 지위에 있을 뿐만 아니라 사회적으로 큰 영향을 미쳤다. 세 여성 작곡가는 창작 배경과 스타일이 모두 다름에도 불구하고 자신의 분야에서 여성 음악 창작의 발전을 이끌었다.
본 논문은 6장으로 구성되고 구체적으로 다음과 같다.
제1장은 연구의 배경과 의의, 목적과 방법을 제시하였다. 중국, 한국, 유럽과 미국의 관련 선행 연구에 대한 고찰을 통해 여성 작곡가의 성악 작품에 관한 연구가 충분히 이루어지지 않았음을 알 수 있었다.

제2장은 독일·오스트리아 낭만주의 시대의 대표적인 여성 작곡가 클라라 슈만에 관한 분석이다. 클라라 슈만의 생애를 살펴보고 그녀의 작곡 시기를 4개의 시기로 나눴다. 그리고 1853년에 완성된 가곡집 <Jucunde>를 분석하였다. 그녀의 예술가곡에는 깊은 감정 표현, 진지함과 섬세함 등 강한 낭만주의적 특성이 나타나 있다. 또한 클라라 슈만의 작품은 감정 표현에 있어 인물의 감정 상태와 내면을 묘사하기 위해 선율, 소리, 리듬 등 음악적 수단을 능숙하게 구사하였다. 클라라 슈만의 음악 작품은 그녀의 음악적 재능을 보여주었고 낭만주의 음악의 함축적 의미를 풍부하게 하였으며 음악의 다양성과 발전에 기여하였다. 사회적으로 클라라의 작품은 여성의 독립적인 사상을 담고 있어 당시 사회에 여성의 재능을 발휘할 수 있는 무대와 본보기를 제공하였다.
제3장은 19세기 말기 미국의 대표적인 여성 작곡가 에이미 비치에 관한 분석이다. 먼저 작곡가의 생애를 살펴보았고 그녀의 대표작인 <세 개의 셰익스피어 가곡(Three Shakespeare Songs, Op. 37)>, <세 개의 브라우닝 노래(Three Browning Songs)>를 분석하였다.
에이미는 낭만주의 음악 전통의 계승과 발전, 미국 음악 문화의 융합과 혁신 등에 중요한 의미가 있다. 그녀의 작품에도 개인 스타일과 창의성이 드러나 있다. 아울러 사회적으로 에이미 비치는 후대 음악가와 성악가에게 깊은 영향을 주어 여성 작곡가들이 음악 분야에서 입지를 굳건히 하고 더 많은 기회를 얻는데 기여하였다.
제4장은 20세기 초기 중국의 대표적인 여성 작곡가인 주숙안(周淑安)에 관한 분석이다. 먼저 주숙안의 생애를 살펴보았다. 주숙안은 성악과 음악 교육 분야에 매우 중요한 업적을 남겼다. 주숙안은 전통에서 과감히 벗어나 선율, 리듬, 악구의 구조 등에서 새로운 것을 시도하였고 이로써 전통적인 정취와 서양 작곡 기법을 동시에 갖춘 독특한 성악 작품을 완성하였다. 사회적으로 주숙안은 중국 예술가곡의 새로운 장을 열었고 중국 성악 교육에 크게 기여하였다.
제5장은 세 여성 작곡가에 대한 비교 연구이다. 세 작곡가 모두 감정 표현이 깊고 섬세하며 전통을 기반으로 혁신하였으며 작품에 뚜렷한 여성의 특징이 나타나 있는 등의 공통점을 가지고 있다. 세 여성 작곡가에 대한 연구를 통해 이 분야의 연구가 깊은 역사적 가치와 의미가 있다고 판단하였다.
제6장은 3명의 여성 작곡가가 성악 창작과 인문학에서의 가치를 요약하고 19세기부터 20세기까지 여성 작곡가의 성악 창작이 근대 음악 창작에 대한 시사점을 제시하였다. 후속 연구에서 여성 작곡가의 다원성과 포용성 및 여성 정체성 등에서 연구를 심화하는 것은 중요한 현실적 의미가 응용 가치가 있을 것이다.

#19-20세기 #여성 작곡가 #클라라 슈만 #에이미 비치 #주숙안 #19th-20th Century #Female Composers #Clara Schumann #Amy Beach #Zhou Shu'an

국문요약 ·······································································································ⅳ
악보목차 ·······································································································ⅶ
I. 서론·············································································································1
1. 연구 배경 ······························································································1
2. 연구 목적과 의의 ················································································4
1) 연구 의의 ··························································································4
2) 연구 목적 ··························································································5
3. 연구 현황 ······························································································6
1) 여성 작곡가에 관한 중국에서의 연구 사례 ······························6
2) 여성 작곡가에 관한 한국에서의 연구 사례 ····························14
3) 여성 작곡가에 관한 유럽과 미국에서의 연구 사례 ··············17
4. 연구 내용과 방법 ··············································································21
1) 연구 내용 ························································································21
2) 연구 방법 ························································································24
II. 클라라 슈만: 독일·오스트리아 대표 여성 작곡가 ·························26
1. 클라라 슈만의 생애와 음악 인생 ··················································26
1) 생애 ··································································································26
2) 음악 인생 ························································································29
2. 클라라 슈만 예술가곡의 작곡 특징 ··············································32
1) 시의 섬세한 감정··········································································33
2) 명확하고 간결한 리듬 ··································································46
3) 가창성이 풍부한 멜로디······························································55
3. 클라라 슈만의 음악적 기여와 사회적 영향································63
1) 음악적 기여····················································································65
2) 사회적 영향····················································································69
III. 에이미 비치: 미국 대표 여성 작곡가 ·············································71
1. 에이미 비치의 생애와 음악 인생 ··················································71
1) 생애 ··································································································71
2) 음악 인생 ························································································75
2. 에이미 비치 예술가곡의 작곡 특징 ··············································79
1) 풍부한 감정····················································································80
2) 선율과 시의 조화··········································································89
3) 화성 색채의 풍부한 변화 ··························································103
3. 에이미 비치 성악 작품의 음악적 기여와 사회적 영향·········· 106
1) 음악적 기여··················································································107
2) 사회적 영향··················································································111
IV. 주숙안: 중국 대표 여성 작곡가 ·····················································114
1. 주숙안의 생애와 음악 인생 ··························································115
1) 생애 ································································································116
2) 음악 인생 ······················································································120
2. 주숙안 예술가곡의 작곡 특징 ······················································125
1) 중국풍의 선율 ··············································································126
2) 중국 가사와 곡의 관계······························································133
3) 풍부하고 다양한 화성 ································································138
3. 주숙안의 음악적 기여와 사회적 영향········································141
1) 음악적 기여··················································································142
2) 사회적 영향··················································································146
V. 세 여성 작곡가에 대한 비교 연구 ·················································149
1. 세 여성 작곡가 성악 작품의 공통점과 차이점 ························ 149
1) 공통점 분석··················································································149
2) 차이점 분석··················································································157
2. 19-20세기 여성 작곡가 성악 작품의 역사적 가치와 의의 ···· 159
1) 여성 작곡가 성악 작품의 역사적 가치 ··································159
2) 여성 작곡가 성악 작품의 연구 의의 ······································163
VI. 결론 ······································································································166
1. 성악 창작에서 여성 작곡가의 독특한 기여······························166
2. 여성 작곡가 작품의 깊은 함축성과 인문학적 가치 ·············· 168
3. 근대 작곡가를 위한 역사적 참고와 시사점······························171
4. 미래 여성 작곡가와 성악 작품 연구에 대한 전망 ·················· 172
1) 다원화와 포용성의 심화····························································173
2) 여성 작곡가의 정체성에 관한 심층적인 연구 ······················173
3) 현실적 의의의 확대와 응용 ······················································175
참고문헌 ·····································································································177
ABSTRACT ······························································································185

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