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논문 기본 정보

자료유형
학술저널
저자정보
Hera Kim (Chonnam National University)
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제24권 제1호
발행연도
2020.3
수록면
179 - 197 (19page)
DOI
10.24152/NCLE.2020.3.24.1.179

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초록· 키워드

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Being dismissed as her “minor masterpiece,” George Eliot’s Silas Marner has received less critical attention than most of her other novels. Additionally, the issue of masculinity—a relatively recent critical lens in comparison with feminism—also has been neglected by critics. To revivify the scholarly concerns of the story and contribute to masculinity studies, I examine Silas Marner’s masculinity while considering temporality. On the one hand, Marner Lantern Yard (the industrial and urban environment that Silas occupied as a young man) signifies the past, yet what his past has been was supposed to be the powerful present of the Industrial Revolution. On the other hand, Marner’s agriculture-based village life in Raveloe is the present in Eliot’s narration, yet it represents the soon to be buried past under the overwhelming current of Industrialism. In unraveling the temporal entanglement between the past and present, I demonstrate Marner’s transformed masculinity from a potential normative Victorian male to an unconventional father figure. Ultimately, I argue that Eliot looks back on his Lantern Yard past not just to criticize Victorian gender norms but also, and more profoundly, to create a confrontational past and present. In doing so, Eliot utilizes Marner’s memory of the spectral past as a form of constant questioning of and intervening in his gender identity in the Victorian dominant present. Marner’s masculinity, therefore, should be read as a critical intersectional collage of temporality and gender identity that interrupts the troubled present of the Victorian binary gender system.

목차

I. Introduction
II. Marner’s Mutilated Masculinity in Lantern Yard and Male Mothering in Raveloe
III. Conclusion
Works Cited
Abstract

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