지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Every modern man thinks that every event occurring consecutively in nature has every cause. In this respect, there is no accident in nature. One might think that there should be an accident but it is owing to the lack of informations or the lack of attention, so when all of the informations would be gathered then he could know the cause and effect. In this respect elaborate plan is failed not by
accident but by mistake. In narrative foreshadow is the way through which the narrator show the narrative necessity of astounding accidents. Foreshadow is the narrative tactics through which the narrator makes reader seek the narrative progress of causality.
Narrative necessity would bounded only by causality, then it should be defective. When one follows up the causality to the last, then he should give up the causality or should postulate a primitive accident. However he is willing to consider the causality as the primitive power of narrative progress.
Modern man creates the quantitative world through the rational and
instrumental reason. Modern world overcomes the Medieval world where God is the absolute center. The modern instrumental reason reject the God-central Weltanschaung with all its strength. In this modern world the instrumental reason is thought to be able to calculate and measure every relationship. The narrative necessity or the plausibility in the modern fiction comes from this instrumentalism and the measurmentalism. This instrumentalism and the measurmentalism reject the s The accident is rejected by the modern thoughts but things are quite different from the point of subjectivism, motivism and the teleology. There comes out the world where the necessity of subject overcomes the necessity of object. In this world the teleological relationship is more important than the causal relationship, so the subject superior to the object. It
gives us the fantastic aesthetics.
Each fictional world is the accidental world which is one of the possible worlds. It is the colonialism to applicate the causality to this accidental world.
The accident has the aesthetic mission of clearing the triteness of real world and has the philosophical mission of meditating the teleological world which was destroyed by the modern man.
accident but by mistake. In narrative foreshadow is the way through which the narrator show the narrative necessity of astounding accidents. Foreshadow is the narrative tactics through which the narrator makes reader seek the narrative progress of causality.
Narrative necessity would bounded only by causality, then it should be defective. When one follows up the causality to the last, then he should give up the causality or should postulate a primitive accident. However he is willing to consider the causality as the primitive power of narrative progress.
Modern man creates the quantitative world through the rational and
instrumental reason. Modern world overcomes the Medieval world where God is the absolute center. The modern instrumental reason reject the God-central Weltanschaung with all its strength. In this modern world the instrumental reason is thought to be able to calculate and measure every relationship. The narrative necessity or the plausibility in the modern fiction comes from this instrumentalism and the measurmentalism. This instrumentalism and the measurmentalism reject the s The accident is rejected by the modern thoughts but things are quite different from the point of subjectivism, motivism and the teleology. There comes out the world where the necessity of subject overcomes the necessity of object. In this world the teleological relationship is more important than the causal relationship, so the subject superior to the object. It
gives us the fantastic aesthetics.
Each fictional world is the accidental world which is one of the possible worlds. It is the colonialism to applicate the causality to this accidental world.
The accident has the aesthetic mission of clearing the triteness of real world and has the philosophical mission of meditating the teleological world which was destroyed by the modern man.
목차
1. 문제
2. 허구와 우연
3. 서사적 국면
4. 우연과 환상성
참고문헌
Abstract
참고문헌 (14)
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