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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Lee Sang, a writer representing Korean modernism in the 1930s, usually describes problems that would be real in the highly industrialized society, while Korea is still underdeveloped and under the control of Japanese colonialism. It could be a contradiction apparent in his literature, but we may explain it in two ways: he could have predicted industrialization of Korea, in no differences from other advanced nations, or he could have set his stories on the new society of the near future he predicted and denied traditional morality in his story accordingly. So, Lee Sang disregards feelings and contemporary reality in order to avoid the difficulty he would experience between individual and universal, sense and concept, present and future'" And he calls his attitude the 'pause'.
However, Lee Sang cannot continue to 'pause'. It is because the cultural gap between Korea and industrialized nations is not easily abolished. even though he believed in dynamic feature of the capitalism. More over, he finds the tradition from the old times, which he has predicted to be banished soon, is still powerful on every part of the society and even on himself. Lee Sang gives up the self-decetptive 'pause' that denies his familiar feelings, and begins to describe portraits of his own ego dissociated between ways of life of the traditional and the industrialized.
But Lee Sang minimizes the role and meaning of the tradition in his stories, as he believes that the materialization and urbanization will dominate the society. As a result, Lee Sang's literature emphasizes on the materialization that causes human being lose the soul; we do not expect from his literature anything that successfully shows the society in conflict between the premodern and the modem, consciousness and material, the traditional and the Western. At the core of his literature, we can find Lee Sang insistently removes traditional elements from it; instead he tries to fill it with the issue of the industrialization. It is also one of the most important features of Korean modernism in the 1930s.
However, Lee Sang cannot continue to 'pause'. It is because the cultural gap between Korea and industrialized nations is not easily abolished. even though he believed in dynamic feature of the capitalism. More over, he finds the tradition from the old times, which he has predicted to be banished soon, is still powerful on every part of the society and even on himself. Lee Sang gives up the self-decetptive 'pause' that denies his familiar feelings, and begins to describe portraits of his own ego dissociated between ways of life of the traditional and the industrialized.
But Lee Sang minimizes the role and meaning of the tradition in his stories, as he believes that the materialization and urbanization will dominate the society. As a result, Lee Sang's literature emphasizes on the materialization that causes human being lose the soul; we do not expect from his literature anything that successfully shows the society in conflict between the premodern and the modem, consciousness and material, the traditional and the Western. At the core of his literature, we can find Lee Sang insistently removes traditional elements from it; instead he tries to fill it with the issue of the industrialization. It is also one of the most important features of Korean modernism in the 1930s.
목차
1. 자본주의적 역동성에 대한 숭배, 혹은 이상 문학의 발생론적 근거
2. 세계에 대한 총체적 인식과 타자의 배제
3. 포즈로서의 글쓰기, 혹은 사생아 의식
4. 포즈의 소멸과 분열된 주체
5. 모더니즘의 새로운 독법을 위하여-결론을 대신하며
참고문헌
ABSTRACT
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