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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2004.8
- 수록면
- 151 - 172 (22page)
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This paper examines how sympathy is mobilized in Wordsworth's dramatization of the growth of the self in Home at Grasmere. In the interplay of multifaceted convergence and tension between the anthropocentric otherization of nature and the environmental impulse toward nature, the sympathetic self is extended to animal beings. Wordsworth raises the possibility that in seeing signs of subjectivity in animals, we are not necessarily projecting human qualities onto them, but recognizing natural attributes which we share with them.
Negotiating with David Hume and Adam Smith's discriminating exercise of sympathy, Wordsworth employs sympathy as a vehicle to undo the atomistic individualism Wordsworth understands as a product of Cartesian dualism and Enlightenment reason. I argue that he is not replacing the romantic human self with nature and that sympathy with the natural world is not sentimental or hopelessly idealized by merely projecting the spectator's consciousness onto it. Rather, the cultivated sympathy from a series of encounters with nature leads him to recognize the otherness of animals, and further, to voice not a sentimental and naive cry against cruelty to animals, but an assessment of hunting as an act of violence against nature. Significantly, sympathy motivates ethical action, which focuses on humanity's responsibility to take care of nature.
His increasing understanding of the vale leads him to ask himself what is the meaning of his presence in Grasmere. He discovers the possibility that the ecological qualities inherent in the existing green earth may be embodied in his poetry itself. In other words, he, as a poet, uncovers the expression of “the green earth” within the ecological vision. Therefore he sings of the presence of “nothing more than what we are” with the “great consummation” of mind and the external world. His earthly paradise becomes neither a place nor a state of mind, but rather the integration of these things in a mode of heightened realization, that is poetry itself.
Negotiating with David Hume and Adam Smith's discriminating exercise of sympathy, Wordsworth employs sympathy as a vehicle to undo the atomistic individualism Wordsworth understands as a product of Cartesian dualism and Enlightenment reason. I argue that he is not replacing the romantic human self with nature and that sympathy with the natural world is not sentimental or hopelessly idealized by merely projecting the spectator's consciousness onto it. Rather, the cultivated sympathy from a series of encounters with nature leads him to recognize the otherness of animals, and further, to voice not a sentimental and naive cry against cruelty to animals, but an assessment of hunting as an act of violence against nature. Significantly, sympathy motivates ethical action, which focuses on humanity's responsibility to take care of nature.
His increasing understanding of the vale leads him to ask himself what is the meaning of his presence in Grasmere. He discovers the possibility that the ecological qualities inherent in the existing green earth may be embodied in his poetry itself. In other words, he, as a poet, uncovers the expression of “the green earth” within the ecological vision. Therefore he sings of the presence of “nothing more than what we are” with the “great consummation” of mind and the external world. His earthly paradise becomes neither a place nor a state of mind, but rather the integration of these things in a mode of heightened realization, that is poetry itself.
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참고문헌 (32)
참고문헌 신청
[단행본] - Abrams, M. H / 1971 / Natural Supernaturalism / New York: Norton
[단행본] - Arnold, Matthew / 1963 / Matthew Arnold / Cambridge: Harvard UP
[단행본] - Baron, Michael / 1995 / Language and Relationship in Wordsworth's Writing / New York: Longman
[단행본] - Bate, Jonathan / 1991 / Romantic Ecology / London: Routledge
[학술지(정기간행물)] - Bate, W. J / 1945 / Sympathetic Imagination in Eighteenth-Century Criticism / The Journal of English Literary History 12 : 144 ~ 159
[단행본] - Arnold, Matthew / 1963 / Matthew Arnold / Cambridge: Harvard UP
[단행본] - Baron, Michael / 1995 / Language and Relationship in Wordsworth's Writing / New York: Longman
[단행본] - Bate, Jonathan / 1991 / Romantic Ecology / London: Routledge
[학술지(정기간행물)] - Bate, W. J / 1945 / Sympathetic Imagination in Eighteenth-Century Criticism / The Journal of English Literary History 12 : 144 ~ 159
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