지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
This Thesis is the iconographic study on Tiziano Vecellio’s 〈The Penitent Magdalen〉. Mary Magdalen is a female character in the Bible who accompanied with Jesus during His worldly life. She was paid attention as the first witness to the Resurrection of Christ before the Middle Ages. Considered as a reformed prostitute through The Golden Legend, she became very popular and played an important role in music, play and literature beyond the category of arts when it reached to Renaissance and Baroque. As a reformed prostitute, Mary Magdalen in a desert was dealt as a type of Penitence by many artists.
Amid them, Tiziano’s Mary Magdalen is very controversial among many art historians for the saint’s sensual beauty. Tiziano’s Magdalen is in a contrast to the tradition of representing the saint. For a long time before Tiziano, she was expressed as an old thin woman to show her hardships or as a chaste lady.
The meaning of Tiziano’s Magdalen has been changed through the efforts to understand his work in a context that his work reflects the background of the times. This article tries to get the real meaning of 〈The Penitent Magdalen〉 through iconographic study and the understanding of the times.
Starting from those points above, the chapter Ⅱ of this article provides the contemporary background of his Magdalen. And the chapter Ⅲ introduces the literal tradition and the iconographic developments for Mary Magdalen before Tiziano. Finally, the last chapter is an analysis on Tiziano’s three 〈The Penitent Magdalen〉s. The works were comparitively analyzed in detail with works of the artists who had been influenced by the iconographic tradition. The new type of Penitent Magdalen created by Tiziano was generally analyzed through composition and posture of the saint.
This study points out that 〈The Penitent Magdalen〉 of Tiziano dissolved the traditional iconography on Magdalen and newly interpreted her in connection with the Counter-Reformation and the contemporary ideas. From this, we clarified that his work is a religious devotional image even though it seems to have the conflicting images of a prostitute and a saint. To conclude, Tiziano’s Mary Magdalen suggested a new image amid various Magdalen images by artists of that times by combining thorough understanding on the theme of his works with his artistic creativity.
Amid them, Tiziano’s Mary Magdalen is very controversial among many art historians for the saint’s sensual beauty. Tiziano’s Magdalen is in a contrast to the tradition of representing the saint. For a long time before Tiziano, she was expressed as an old thin woman to show her hardships or as a chaste lady.
The meaning of Tiziano’s Magdalen has been changed through the efforts to understand his work in a context that his work reflects the background of the times. This article tries to get the real meaning of 〈The Penitent Magdalen〉 through iconographic study and the understanding of the times.
Starting from those points above, the chapter Ⅱ of this article provides the contemporary background of his Magdalen. And the chapter Ⅲ introduces the literal tradition and the iconographic developments for Mary Magdalen before Tiziano. Finally, the last chapter is an analysis on Tiziano’s three 〈The Penitent Magdalen〉s. The works were comparitively analyzed in detail with works of the artists who had been influenced by the iconographic tradition. The new type of Penitent Magdalen created by Tiziano was generally analyzed through composition and posture of the saint.
This study points out that 〈The Penitent Magdalen〉 of Tiziano dissolved the traditional iconography on Magdalen and newly interpreted her in connection with the Counter-Reformation and the contemporary ideas. From this, we clarified that his work is a religious devotional image even though it seems to have the conflicting images of a prostitute and a saint. To conclude, Tiziano’s Mary Magdalen suggested a new image amid various Magdalen images by artists of that times by combining thorough understanding on the theme of his works with his artistic creativity.
목차
Ⅰ. 서론
Ⅱ. 시대적 배경
Ⅲ. 막달라 마리아 도상의 기원과 전개
Ⅳ. 티치아노의 〈참회하는 막달라 마리아〉
Ⅴ. 결론
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
참회의 막달라 마리아 : 중세 말 이탈리아의 막달레나 이미지와 신앙
서양미술사학회논문집
2009 .02
-
마리아의 도상 변천과 종교상의 역할 변천 : 이탈리아 13~14세기를 중심으로
서양미술사학회논문집
1992 .12
-
20세기 후반 현대미술에 나타나는 〈성모마리아〉 도상의 차용과 재해석 연구
현대미술사연구
2014 .06
-
Magdalena Abakanowicz의 <Abakan rouge> 조형분석연구
조형예술학연구
2004 .01
-
현대미술에 나타나는 촛불과 해골 : 게르하르트 리히터의 작품을 중심으로
현대미술학 논문집
2016 .12
-
애도하는 어미와 기원의 서사 : 컬럼 토빈의 소설 <마리아의 증언> 읽기
한국예술연구
2014 .12
-
티치아노의 〈나에게 손대지 말라〉 연구 : 전례극(典禮劇)과 육화신앙(肉化信仰)을 중심으로
서양미술사학회논문집
2010 .08
-
A Study of an Artist's Self-Development
예술과 미디어
2008 .01
-
『가톨릭청년』에 나타난 `聖母聖畵` 연구
미술사와 문화유산
2014 .11
-
극재 정점식 : 서구 추상미술의 수용과 그 한국적 변용
현대미술사연구
2013 .12
-
러시아 패션스쿨 방문기 Saint Petersburg State University of Technology and Design
패션정보와 기술
2011 .01
-
20C초 섬유 산업에 기여한 예술가들에 대한 연구 -1900년에서 1925년을 중심으로-
한국의류학회지
1997 .01
-
20세기 후기회화에 있어서 유기 이미지의 문제
조형예술학연구
2001 .01
-
예술가 신체의 물질/비물질성
서양미술사학회논문집
2011 .02
-
재현의 딜레마: 포스트페미니즘세대 중동출신 여성작가들의 젠더 이분법 차용방식 연구
미술이론과 현장
2013 .01
-
A Study on Iconographic Characteristics of Five Directional Buddhas in the Unified Silla Dynasty
미술사연구
2002 .12
-
Burning Friday in Saint West
International Invitation Exhibition of Color Works
2014 .11
-
북한의 예술가 명예칭호 제도에 관한 연구 -음악·무용분야를 중심으로
대한무용학회논문집
2019 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
참회의 막달라 마리아 : 중세 말 이탈리아의 막달레나 이미지와 신앙
이은기
서양미술사학회논문집
2009
.02
메디치 컬렉션의 자전(autobiography)과 계몽주의 시대의 공공성 : 우피치 미술관을 중심으로
최병진
서양미술사학회논문집
2015
.02
「예술과 경영: 혁신적 매체로서 뒤러의 판화」
전한호
,
조은정
미술사연구
2014
.12
예수회의 ‘루이 르 그랑 콜레주(Collège Louis le Grand)’와 프랑스의 계몽주의
전종호
서강인문논총
2014
.12
1∼2세기 막달라 마리아의 위상 변화 고찰
정기문
역사학보
2014
.03
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-609-017290508