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초록· 키워드
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Sin Seok-jeong, who has devoted himself to the composition of poems with the influence of Noja & Jangja's ideology and Manhae's poems, is not an escaping lyrical poet, but a poet of realism. It is because that his frequent pursuing of an ideal land, which presented endlessly in his poems, is a euphemistic criticism to the negative reality that appears in the form of continuous confusion and harsh situation of the times.
The ideal land, emblematized by "Geu Mean Nara (A faraway land)", is not an anthropocentric world, but a space in which nature and human being live together. This space is not an unchanging world, but a world of potential and actuality, which needs to be improved. Using an emblematic mother as the one who can beacon him to the ideal land, he has revealed the world of female. The world symbolized by a mother is a world of tolerance and love, in which compromise and peace dwells. By means of making female appeared on the stage, while getting out of the male-oriented world view, Seok-jeong's ideal land become such a coexistent space in which fills with pure peace to the brim, rather than becoming a world of controversy and competition. Therefore, the ideal land, from the aspect of reality, pursues a bucolic and pastoral world, and from the aspect of aesthetics, it seemingly presents itself in such form of world in which the ego and the non-ego as well as nature and human being coexist. Also his recognition of reality of the times is a rather positive one, as a manifestation of his active participation to reality, in order to overcome and improve it.
By this, the meaning of utopia in Sin Seok-jeong's poems is not for a stereotypic world but for a potential one, by means of recognizing it as an actual and changing world. This type of his poetic consciousness seems to be a substantial principle that manifests in his whole poems in general.
However, I am afraid of diluting the meaning of his poems in this study, in that I am focusing only on his consciousness of an ideal land, whereas not putting other features of his poems together. If Viewing Sin Seok-jeong's poems from the aspect of structuralism or myth archetypal criticism, I think other aspects of his poems, which I haven't resulted in this study, should be presented. In addition, concretizing his consciousness of an ideal land by the tines and poets can be the lighting upon the period of Japanese imperialism and a refined study on the consciousness of an ideal land of poets who lived in those times.
The ideal land, emblematized by "Geu Mean Nara (A faraway land)", is not an anthropocentric world, but a space in which nature and human being live together. This space is not an unchanging world, but a world of potential and actuality, which needs to be improved. Using an emblematic mother as the one who can beacon him to the ideal land, he has revealed the world of female. The world symbolized by a mother is a world of tolerance and love, in which compromise and peace dwells. By means of making female appeared on the stage, while getting out of the male-oriented world view, Seok-jeong's ideal land become such a coexistent space in which fills with pure peace to the brim, rather than becoming a world of controversy and competition. Therefore, the ideal land, from the aspect of reality, pursues a bucolic and pastoral world, and from the aspect of aesthetics, it seemingly presents itself in such form of world in which the ego and the non-ego as well as nature and human being coexist. Also his recognition of reality of the times is a rather positive one, as a manifestation of his active participation to reality, in order to overcome and improve it.
By this, the meaning of utopia in Sin Seok-jeong's poems is not for a stereotypic world but for a potential one, by means of recognizing it as an actual and changing world. This type of his poetic consciousness seems to be a substantial principle that manifests in his whole poems in general.
However, I am afraid of diluting the meaning of his poems in this study, in that I am focusing only on his consciousness of an ideal land, whereas not putting other features of his poems together. If Viewing Sin Seok-jeong's poems from the aspect of structuralism or myth archetypal criticism, I think other aspects of his poems, which I haven't resulted in this study, should be presented. In addition, concretizing his consciousness of an ideal land by the tines and poets can be the lighting upon the period of Japanese imperialism and a refined study on the consciousness of an ideal land of poets who lived in those times.
목차
Ⅰ. 序論
Ⅱ. 用語에 따른 理想鄕의 意味
Ⅲ. 신석정 詩에 나타난 理想鄕
Ⅳ. 結論
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