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초록· 키워드
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There were political and cultural two sides in the combination of the heavenly god and earth god. The gods' Marriage combined the new products of civilization on the existing life style. The new things were iron, dyeing and weaving, silk. There was also ritual side which brought the rice and fire. Belief in a visiting God was that god came to the human world and gave fertility for one time in a year.
Most song was sensual and farcical song in this Niiname.(新嘗祭) They ware made by the prime object of sexual expression of Man and Woman sung The ultimate purpose of this paper is a comparison between Japanese ancient song and Korean antique song. The representative song of Japan is Kamugatari.(神語歌) Sensual expression filled in Kamugatari can be comparative with Korean Sokyo(俗謠), and the point of view that Kamugatari is armed with form of love song is suggestive to analysis of Korean ancient song.
So, I compared Kamugatari with Manjeonchun(滿殿春), they had contained similarity in poetical imagination and musical environment. Kamugatari has form of exchange. Narration of the first person and the third person coexisted in only one song. This phenomenon could be found in Jemangmega(祭亡妹歌). The former part of this song was voice of the first narrater, on the other hand, the latter part was the voice of sister's soul - that was an Oracle(託宣). The sensuality and humorousness in Ssanghwajeom(雙花店) was similar with those Kamugatari. Two form of exchange on a priest and soul(or God) was also similar with Kamugatari.
Love of god and goddess in Korean song meant fertility in ancient time. But it has changed into the love of man and woman. In consequence of research to Japanese ancient song, love song in ancient Korean had sacred meaning even though it had sexual expression in the contents of a letter.
Most song was sensual and farcical song in this Niiname.(新嘗祭) They ware made by the prime object of sexual expression of Man and Woman sung The ultimate purpose of this paper is a comparison between Japanese ancient song and Korean antique song. The representative song of Japan is Kamugatari.(神語歌) Sensual expression filled in Kamugatari can be comparative with Korean Sokyo(俗謠), and the point of view that Kamugatari is armed with form of love song is suggestive to analysis of Korean ancient song.
So, I compared Kamugatari with Manjeonchun(滿殿春), they had contained similarity in poetical imagination and musical environment. Kamugatari has form of exchange. Narration of the first person and the third person coexisted in only one song. This phenomenon could be found in Jemangmega(祭亡妹歌). The former part of this song was voice of the first narrater, on the other hand, the latter part was the voice of sister's soul - that was an Oracle(託宣). The sensuality and humorousness in Ssanghwajeom(雙花店) was similar with those Kamugatari. Two form of exchange on a priest and soul(or God) was also similar with Kamugatari.
Love of god and goddess in Korean song meant fertility in ancient time. But it has changed into the love of man and woman. In consequence of research to Japanese ancient song, love song in ancient Korean had sacred meaning even though it had sexual expression in the contents of a letter.
목차
Ⅰ. 序
Ⅱ. 神婚과 神婚歌謠
Ⅲ. 神語歌
Ⅳ. 結論
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