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This paper revisits Japanese political cartoons that represented the moment of the Japanese annexation of Korea in 1910. Since the formation of the new Meiji government, the ‘Korea problem’ was at thc heart of Japanese foreign affairs. When the problem was finally solved in the form of annexation, Japanese society expressed its excitement and enthusiasm through the cartoon media. By examining how the moment of annexation was captured and caricatured in Japanese society, I argue that there was the growing popular will to empire at the social level. In analyzing the cartoons on annexation, I classify them into five recurring patterns of imagination. They are the metaphors of light, train, animal, gender, and heroes. By imagining Japan-Korea relations through these five metaphors, the Japanese populace came to the consensus that enlightened and technologically advanced Japan must lead Korea into the modern world. To rationalize and justify Japan's leadership over Korea, the cartoons visualized an animalized and feminized Korea. By arbitrarily recollecting past heroes of foreign invasions and associating them with the annexation, the cartoons attempted to render annexation continuity with Japan's own past. Developing a distinctively Japanese but unmistakably modern style of visual representation, the cartoons on the Korean annexation contributed in creating a visual culture that molded Japanese will to empire.
목차
Ⅰ. 머리말
Ⅱ. 빛의 세계로
Ⅲ. 기계문명의 광선
Ⅳ. 동물의 왕국 한국
Ⅴ. 욕망의 제국 일본
Ⅵ. 영웅의 귀환
Ⅶ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2009-910-016393508