지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이 논문의 연구 히스토리 (2)
- 이 논문의 후속연구가 궁금하신가요?
- 연관 학술논문 또는 학술발표를 통해 보다 발전된 연구결과를 확인하실 수 있습니다.
- 이 논문의 연구 히스토리 확인하기
초록· 키워드
오류제보하기
This paper aims to investigate how natural images have been changed in Korean modern poetry in order to understand the nature of traditional natural images. Nature is a product of thinking and interpretation, perceived differently by worldview. In this paper, changes of natural images and traditional nature are discussed, focusing on poems and songs during the Chosun Dynasty which are assessed as effectively showing traditional natural image and Korean modern poems of Kim So Wall, Chung Ji Yong, and Choi Ji Hun directly describing natural images.
Nature in the poems and songs of the Chosun Dynasty flatly reflecting so-called traditional view of nature is based on the perception of 'nature as necessity' to which attributes of natural objects and nature of human beings belong. This view has stemmed from the idea that nature is the origin of human spirit. Meanwhile, Sanyoowha(산유화) of Kim So Wall shows independent nature different from such a traditional view of nature. Nature in Sanyoowha(산유화) is visualized as a physical space where life phenomena develop, while the poet turns his eyes on the object with emotional pity for a lonely being. Universal pity visualized in this poem is based on the idea that although nature has nothing to do with human spirit, methods of existence of natural objects and human life are regarded as identical. Universal awareness of life perceiving natural objects and human life as identical is a key feature covering traditional view of nature in the Korean modern poetry. Poems of Chung Ji Yong which minimize projection of human feelings or spirit into natural images and visualize the nature consisting of objects 'naturalizing' the plain naturalness or 'what-is-so-of-itself' contained in traditional Oriental natural images with linguistic images. Natural images composed of objects free from human characteristics can be seen not only as the discovery of language to achieve 'naturalization' of image itself, but also creation by the modern self perceiving nature as an object. These natural images continue to appear in the poems of Cho Ji Hun, who redefines the characteristics of nature as a place to thinking about problems of human beings and reality, by internalizing the nature embedded in traditional natural images.
As discussed earlier, the idea that human beings and natural objects are basically an identical universal life is constantly found in natural images, which is the basis for perception to project human feelings into the nature, despite modern thinking to see the nature as isolated from human spirit. This type of life awareness is considered a key feature of natural images characteristics of Korea.
Nature in the poems and songs of the Chosun Dynasty flatly reflecting so-called traditional view of nature is based on the perception of 'nature as necessity' to which attributes of natural objects and nature of human beings belong. This view has stemmed from the idea that nature is the origin of human spirit. Meanwhile, Sanyoowha(산유화) of Kim So Wall shows independent nature different from such a traditional view of nature. Nature in Sanyoowha(산유화) is visualized as a physical space where life phenomena develop, while the poet turns his eyes on the object with emotional pity for a lonely being. Universal pity visualized in this poem is based on the idea that although nature has nothing to do with human spirit, methods of existence of natural objects and human life are regarded as identical. Universal awareness of life perceiving natural objects and human life as identical is a key feature covering traditional view of nature in the Korean modern poetry. Poems of Chung Ji Yong which minimize projection of human feelings or spirit into natural images and visualize the nature consisting of objects 'naturalizing' the plain naturalness or 'what-is-so-of-itself' contained in traditional Oriental natural images with linguistic images. Natural images composed of objects free from human characteristics can be seen not only as the discovery of language to achieve 'naturalization' of image itself, but also creation by the modern self perceiving nature as an object. These natural images continue to appear in the poems of Cho Ji Hun, who redefines the characteristics of nature as a place to thinking about problems of human beings and reality, by internalizing the nature embedded in traditional natural images.
As discussed earlier, the idea that human beings and natural objects are basically an identical universal life is constantly found in natural images, which is the basis for perception to project human feelings into the nature, despite modern thinking to see the nature as isolated from human spirit. This type of life awareness is considered a key feature of natural images characteristics of Korea.
목차
1. 들어가면서
2. 전통적 자연관과 근대시의 자연 형상
3. 마무리
참고문헌
Abstract
참고문헌 (18)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
정지용의 시「백록담」에 나타난 자연의 의미
우리말글
2009 .04
-
정지용과 백석 시에 나타난 생태학적 상상력 연구 : 자연관을 중심으로
국어국문학
2007 .12
-
예이츠 초기시의 자연 이미지
한국 예이츠 저널
2008 .01
-
한국 자연시에 나타난 은유 연구 : 박목월ㆍ박용래 시를 중심으로
한국시학연구
2007 .12
-
Man and Nature
인간연구
2017 .01
-
심종문 湘西 문학세계가 지닌 생태여성주의의 가능성
중국문화연구
2016 .11
-
한국 현대시에 나타난 기독교적 자연관
한국현대문학연구
2006 .06
-
소설의 언어에 내재한 생태학적 지평
현대소설연구
2000 .12
-
태재시에 나타난 자연의 공간적 의미 연구
국어국문학
2003 .09
-
로렌스와 문학생태학
D. H. 로렌스 연구
2010 .01
-
근대성과 자연합일의 시
한국시학연구
2002 .05
-
뢰트케의 후기시들―자아의 내면 탐구로서의 자연과 여행
현대영미시연구
2013 .01
-
박재삼 시의 자연과 생의 예지
문학과환경
2007 .12
-
로버트 프로스트 시에 나타난 어둠의 상징성
신영어영문학
2002 .08
-
한국 현대시에 나타난 서학적(西學的) 자연관 : 윤동주와 김종삼의 시를 중심으로
문학과환경
2009 .06
-
의미의 자연과 사실의 자연 -노자의 경우
동서철학연구
2018 .01
-
뢰트케 시에서 자연과 자아
영어영문학연구
2009 .01
-
구상 시의 자연관에 나타난 생태인식 연구
문학과환경
2009 .12
-
屈･宋賦의 山水自然
중국어문학
2014 .01
-
문답형 자연시조의 유형과 존재 의의
국어국문학
2006 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-811-016467694