지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The “Pung-ryu” music which have been transmitted until now is consisted of two major classes: “Young-san-hwe-sang” which is transmitted at the National Classical Music Institute and the traditional from which is trarnsmitted in Seoul, Ik-san, Jeong-eup, and Ku-rye.
These “Hyang-je-pung-ryu” has been transmitted today from the late Chosun Dynasty by two groups of musicians: musicians who played both of “San-jo” and “Pung-ryu” and musicians who played “Hyang-je-pung-ryu” only. The “Pung-ryu” music have difference in the characteristics according to who played the music. In this article, the comparison was focused on differences between “Sang-ryung-san” of “Young-san-hwe-sang”, which has been played and transmitted in the National Classical Music Institute, and “Bon-ryung-san” of “Jul-pung-ryu”, which has been played and transmitted by Mr. Kang, Nak-seung.
1. In “Ku-sun-bi-kyo”, the whole chapter was devided into four chapters in “Sang-ryung-san”, while in “Bon-ryung-san” into five chapters. However, those two musics have exactly same 17 beats totally.
2. In the melodic structure, “Sang-ryung-san" is played according the basic rhythm, while ”Bon-ryung-san“ is played according complicated rhythm consisted of decorating notes and interval notes.
3. In the rhythmic type, “Bon-ryung-san” have more various chord forms than “Sang-ryung-san”.
4. In the technique and 시김새(?), the “Seul-ki-dung” technique and the “Jeon-sung” technique are appearing more frequently in “Sang-ryung-san”.
Our series revealed that these two musics have very similar structure superficially and also have differences in the melody, rhythm, technique and 시김새(?). These differences may be originated from the fact that there was a difficulty in recruiting musicians for playing non-official “Pung-ryu” and the difficulty was overcomed by covering with other instruments because that music had been expressed according to the talent of the musician and played dominantly in the guest rooms. That is, “Hyang-je-pung-ryu” was transmitted and improved by country musicians with diverse expression techniques.
These “Hyang-je-pung-ryu” has been transmitted today from the late Chosun Dynasty by two groups of musicians: musicians who played both of “San-jo” and “Pung-ryu” and musicians who played “Hyang-je-pung-ryu” only. The “Pung-ryu” music have difference in the characteristics according to who played the music. In this article, the comparison was focused on differences between “Sang-ryung-san” of “Young-san-hwe-sang”, which has been played and transmitted in the National Classical Music Institute, and “Bon-ryung-san” of “Jul-pung-ryu”, which has been played and transmitted by Mr. Kang, Nak-seung.
1. In “Ku-sun-bi-kyo”, the whole chapter was devided into four chapters in “Sang-ryung-san”, while in “Bon-ryung-san” into five chapters. However, those two musics have exactly same 17 beats totally.
2. In the melodic structure, “Sang-ryung-san" is played according the basic rhythm, while ”Bon-ryung-san“ is played according complicated rhythm consisted of decorating notes and interval notes.
3. In the rhythmic type, “Bon-ryung-san” have more various chord forms than “Sang-ryung-san”.
4. In the technique and 시김새(?), the “Seul-ki-dung” technique and the “Jeon-sung” technique are appearing more frequently in “Sang-ryung-san”.
Our series revealed that these two musics have very similar structure superficially and also have differences in the melody, rhythm, technique and 시김새(?). These differences may be originated from the fact that there was a difficulty in recruiting musicians for playing non-official “Pung-ryu” and the difficulty was overcomed by covering with other instruments because that music had been expressed according to the talent of the musician and played dominantly in the guest rooms. That is, “Hyang-je-pung-ryu” was transmitted and improved by country musicians with diverse expression techniques.
목차
Ⅰ. 들어가며
Ⅱ. 국악원 전승의 영산회상 상령산과 이리향제 줄풍류 본령산의 비교분석
Ⅲ. 나오며
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UCI(KEPA) : I410-ECN-0101-2010-679-001461087