지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This thesis aimed to look into the transfiguration of Paek Seuk's change in residential environment into poetry. Paek Seuk published his anthology "Deer" during his stay in Seoul after his return from Tokyo. Thereafter, he left Seoul to live in Hamheung from April 1936 to December 1938 and came back to Seoul to stay in January December 1940 before settling in the Manchurian area since January 1940. His published works during these periods show some considerable differences depending on his residential environments.
The works he produced during his stay in Hamheung describe the living environments in the Hamkyung do province in terms of the aesthetics of sensibility that is inherent to Paek Seuk. He attempted to depict living customs and their flashes of consciousness by employing his rich sensibility. He was interested not only in customs but also in Hamkyung do Province's historical truth. Moreover, the estrangement between a narrator and the public as well as his air of adverse demeanor to the society are intensified in the poems during this period. One of his works during this period, 〈Sansook〉 A Night on The Mountain, differs from the other poems because it pursues soul searching. Realizing the expansion of the soul leads to the transfiguration of consciousness. Note how Paek Seuk's consciousness was transfigured from individual expansion into a certain degree of communal horizon. Likewise, his pursuit of expansion of the soul, i.e., inside the surface of life, was being expanded.
He wrote no more than a few works during his stay in Seoul when he came back to work for the Chosun Daily Newspaper. One common feature of these poems is that they harbor a longing for folklore in a hometown, which is interpreted as Kyungsung's (formerly Seoul) resistance to modernization during the colonial reign. Therefore, the longing depicted in these works shows morbid intensity. Paek Seuk's pursuit of ethnic identity as reflected in these poems carries significance in the course of soul searching under the environmental pressure of the time, showing the transition of his consciousness settling into historical conviction. The realization of such conviction made him sick of the suffocating domestic situations, thereby probably prompting him to defect to Manchuria.
His poems during the post Manchurian era consistently deal with the inner world of human beings and seem to be struggling pointedly to overcome the tragedy of the environment in the realm of soul searching. On the other hand, his other work deals with the extreme feeling of loss caused by the devastation of the life of human beings, the society that enabled life, and the span of nature. The others tackle the comfort of inner resources with the pastoral background of resuscitation. As such, his poems during this period alternate between frustration in reality and longing in his inner world.
The works he produced during his stay in Hamheung describe the living environments in the Hamkyung do province in terms of the aesthetics of sensibility that is inherent to Paek Seuk. He attempted to depict living customs and their flashes of consciousness by employing his rich sensibility. He was interested not only in customs but also in Hamkyung do Province's historical truth. Moreover, the estrangement between a narrator and the public as well as his air of adverse demeanor to the society are intensified in the poems during this period. One of his works during this period, 〈Sansook〉 A Night on The Mountain, differs from the other poems because it pursues soul searching. Realizing the expansion of the soul leads to the transfiguration of consciousness. Note how Paek Seuk's consciousness was transfigured from individual expansion into a certain degree of communal horizon. Likewise, his pursuit of expansion of the soul, i.e., inside the surface of life, was being expanded.
He wrote no more than a few works during his stay in Seoul when he came back to work for the Chosun Daily Newspaper. One common feature of these poems is that they harbor a longing for folklore in a hometown, which is interpreted as Kyungsung's (formerly Seoul) resistance to modernization during the colonial reign. Therefore, the longing depicted in these works shows morbid intensity. Paek Seuk's pursuit of ethnic identity as reflected in these poems carries significance in the course of soul searching under the environmental pressure of the time, showing the transition of his consciousness settling into historical conviction. The realization of such conviction made him sick of the suffocating domestic situations, thereby probably prompting him to defect to Manchuria.
His poems during the post Manchurian era consistently deal with the inner world of human beings and seem to be struggling pointedly to overcome the tragedy of the environment in the realm of soul searching. On the other hand, his other work deals with the extreme feeling of loss caused by the devastation of the life of human beings, the society that enabled life, and the span of nature. The others tackle the comfort of inner resources with the pastoral background of resuscitation. As such, his poems during this period alternate between frustration in reality and longing in his inner world.
목차
1. 머리말
2. 함흥 거주기의 작품
3. 『조선일보』 재입사 후 서울 거주기의 작품
4. 만주 거주기의 작품
5. 맺음말
참고문헌
Abstract
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