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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2007.12
- 수록면
- 87 - 107 (21page)
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초록· 키워드
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Depending on how one approaches Salome, whether it be in terms of Dandyism or Symbolism, the interpretation of Salome will change. From the perspective of Dandyism, the ability to express one's individuality within the boundary of a conventional society emerges as the central issue of the play. On the other hand, taking the perspective of Symbolism, the vital issue of the play comes to be the art of Symbolist language evoking the transcendental reality. This paper insists that Oscar Wilde, the writer of Salome, lived as a dandy from the beginning of his career as a writer to his tragic end as a person. In effect, Salome is one of the works in which he expresses himself as a dandy.
As Joseph Donahue points out, Wilde pursues what emerges as a truly stunning originality within the apparent bounds of literary propriety. Not only in his works, but also Wilde the person attempts to fully express himself with originality within the conventions of society. Wilde's solution to this contradicting reality was to live out the role of a dandy. For that exact reason, his life and works mirror such dandyism. Living and writing in England, the very conventional social norms and values of that society provide Wilde a new ground in which he can fully express himself. Wilde masks himself as a dandy to hide his Irish and homosexual background. Similarly, in Salome, Wilde not only wears a mask of a dandy but other masks as an expressionist of French language and Symbolism. Ironically while attempting to completely disguise himself with such triple masks, Wilde's serious intention is to unveil and express his multiple selves--in other words, to express himself on the whole. The paper will discuss how Wilde puts on and off masks as dandy to express him as an Irishman through Salome and how Wilde or "Salome" as a dandy realizes himself as a whole person within the conventional power structure.
As Joseph Donahue points out, Wilde pursues what emerges as a truly stunning originality within the apparent bounds of literary propriety. Not only in his works, but also Wilde the person attempts to fully express himself with originality within the conventions of society. Wilde's solution to this contradicting reality was to live out the role of a dandy. For that exact reason, his life and works mirror such dandyism. Living and writing in England, the very conventional social norms and values of that society provide Wilde a new ground in which he can fully express himself. Wilde masks himself as a dandy to hide his Irish and homosexual background. Similarly, in Salome, Wilde not only wears a mask of a dandy but other masks as an expressionist of French language and Symbolism. Ironically while attempting to completely disguise himself with such triple masks, Wilde's serious intention is to unveil and express his multiple selves--in other words, to express himself on the whole. The paper will discuss how Wilde puts on and off masks as dandy to express him as an Irishman through Salome and how Wilde or "Salome" as a dandy realizes himself as a whole person within the conventional power structure.
목차
Ⅰ. 서론
Ⅱ. 죽음의 상황 하에서 살아가는 법: 댄디의 가면을 쓴 살로메
Ⅲ. 댄디의 가면을 쓴 권력 vs 댄디의 가면을 쓴 개인적 욕망
Ⅳ. 결론
인용문헌
Abstract
참고문헌 (14)
참고문헌 신청
1. [학술지(정기간행물)] - 박지향 / 2002 / 슬픈 아일랜드
2. [학술지(정기간행물)] - Coakley / 1994 / The Importance of Being Irish
3. [학술지(정기간행물)] - Distance, death and desire in Salome / 1997 / death and desire in Salome The Cambridge Companion to Oscar Wilde
4. [학술지(정기간행물)] - / 1994 / Salome and the Wildean Art of Symbolist Theatre : 84 ~ 103
5. [학술지(정기간행물)] - Finney / 1989 / Man in the Moon Women in Modern Drama and European Theater at the Turn of the Century : 55 ~ 78
2. [학술지(정기간행물)] - Coakley / 1994 / The Importance of Being Irish
3. [학술지(정기간행물)] - Distance, death and desire in Salome / 1997 / death and desire in Salome The Cambridge Companion to Oscar Wilde
4. [학술지(정기간행물)] - / 1994 / Salome and the Wildean Art of Symbolist Theatre : 84 ~ 103
5. [학술지(정기간행물)] - Finney / 1989 / Man in the Moon Women in Modern Drama and European Theater at the Turn of the Century : 55 ~ 78
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UCI(KEPA) : I410-ECN-0101-2009-842-014716726