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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국미술사학회 미술사학연구(구 고고미술) 美術史學硏究 第237·238號
발행연도
2003.9
수록면
85 - 108 (24page)

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Yonghwa-sa temple(龍華寺) in Chungju (淸州) was built Kwang-moo (光武) 6th (1902) in Daehan empire (大韓帝國) and has been known as a old temple site at Late Shilla and Early Koryo (羅末麗初) dynasty from old times. There remain 7 buddhist stone statues and parts of pagoda and stairway that dated Koryo dynasty. And then some buddhist statues are remarkable because they are large in scale and excellent in sculpture.
Besides metal relics with inscription Sanae-sa C'GI:I'~~) discovered nearby Yonghwa-sa temple in 1993 and relation between Sanae-sa and Buddhist stone statues at Yonghwa-sa temple was often mentioned. However an investigation or a study on these statues hasn't been done so far. Therefore, I tried to study on buddhist stone statues at Yonghwa-sa temple. I want to confirm significance of these statues in Koryo buddhist stone statues.
First of all, I discussed the origin of Yonghwa-sa buddhist stone statues. Some people said these statues were trasfered from several temple sites neighbourhood. But the possibility of this opinion is very weak, since Record of Yonghwa-sa temple establishment (『龍華寺寺蹟』) and old temple site nearby Yonghwa-sa Temple. What is more. according to excavation of metal relics of Sanoe-sa Temple sites (寺惱寺址), I suggested the possibility that Yonghwa-sa buddhist stone statues are the Sanae-sa Temple's in origin.
Secondly I researched the present situation and classified style of them. In regard of hair style and Usnisa (肉?), the central large stone statue of Buddha (中央大石佛立像) is very decorative and elaborate despite of large statue. Face styles are similliar, and eyetail is down-directed particularly.
As the result, Buddhist statues of Yonghwa-sa temple are devided into 3 styles. The first style is large and elaborated including the central large stone statue of Buddha (中央大石立像). The second style is traditional style of Unified Shilla Dynasty such as the left and right standing stone statues of Buddha (左右石佛立像) and the small standing statue of Buddha (小石佛立像). The third style is more rigid style than previous two styles. The seated Buddist statue, the seated Buddhisatva, the lohan statue back to the left standing stone left standing statue are included in third style. However I think the date of Buddhist statues at Yonghwa-sa is almost same. Inferring that their common face expressions and the left standing Buddhist stone statue (左右佛立像) and the lohan statue which made at the same time. It is reasonable that Yonghwa-sa temple Buddhist stone statues were made nearly the same time. As above, I suppose Buddhist statues at Yonghwa-sa were made in late 10th century and early 11th century.
Finally, I focused on the significance of Buddhist stone statues at Yonghwa-sa temple. Even though there remain many of old temple sites around Musimchun-river, little Buddhist statue exist there. According to that, these Buddhist statues at Yonghwa-sa temple are representative among Buddhist statues at Chungju. I suggested possibility that Buddhist statues at Yonghwa-sa temple were originally Sanoe-sa Temple statues in connection with metal relics of Sanoe-sa Temple sites.
Moreover, they are very valuable. Because they have rare formality and the importance of iconography. - smooth and elegant dapery with wave shape of the left standing Buddhist stone statue, the existence of Vimalakirti (維摩居士) and so on.
then because they attains various styles at once as well. Furthermore, in case of the central large stone statue of Buddha, it's sensitive and elaborate style which has been mainly discussed about Buddhist golden brass statues late Koryo dynasty. Therefore these statues will be very important data in study on Koryo Buddhist statues.
So far studies on Buddhist statues of Koryo dynasty have been limited with narrow subject in spite of plenty of excellent relics remains. Therefore, I hope that this paper can be helpful to the further research about stone Buddhist statues in Koryo dynasty.

목차

Ⅰ. 머리말
Ⅱ. 청주 용화사 석불상군의 현상
Ⅲ. 청주 용화사 석불상군의 양식과 편년
Ⅳ. 청주 용화사 석불상군의 조각사적 의의
Ⅴ. 맺음말
ABSTRACT

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