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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2003.9
- 수록면
- 183 - 211 (29page)
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The album Songdo Gihangchup (松都紀行帖), Kang Saehwang's (姜世晃, 1713-1791) renown masterpiece, was painted after his travel to Songdo. It has been highly evaluated by critics. However, it is only its style that has captured the attention of them; other than its style, little about this album has been known. For example, we don't know the exact time when this album was painted and also we don't know the concrete background of its creation. Hence, it was very difficult for scholars to conduct studies on this artwork. In such circumstances, I would differentiate my study from previous studies by focusing on unknown details of the album and the sequence of its leaves, on which nobody has made a research until now.
First, I focused on the concrete background of the creation of the album. In this album, there is Sasu's (士受) poem, Park Un's (朴誾) poem written by Kang Sewhang. and Kang Sewhang's colophon. Based on these, I found out that the real name of Sasu, who ordered this album, is Oh Suche (吳遂采, 1692-1759). He was very much interested in paintings as well as in poetry in the late Chosun Dynasty. Furthermore, looking into the ancestry of the Oh (吳) family, I discovered that brother Oh' in Kang Sewhang's colophon refers to Oh Unsa (吳彦思 1734-1776), who is Oh Suche‘s grandson. He kept this album after the death of his grandfather. I also found out that the exact year when Songdo Gihangchup was made was 1757, when Oh Suche worked as the administrator (留守) of Kaesung (開城).
Also, I paid attention to the geographical book Songdo Sokji (松都續志), edited by Oh Suche in 1757, the same year when Kang Sewhang made Songdo Gihangchup. Even though there is no clear evidence that shows the connection between the album Sondgo Gihangchup and the book Sondgo Sokji, I suggested that it was highly possible that the two were connected. This is because many public facilities, such as official residences. official ration storehouses, and a temple equipped with armory, were drawn in Songdo Gihangchup.
Through these studies and contemplations, the background of Sondgo Gihangchup became clear as follows: Kang Sewhang painted Songdo Gihangchup in 1757 for Oh Suche who was the administrator of Gaesung and the editor of the geographical book Songdo Sokji.
Next point on which I focused in this study, is the order of leaves in Songdo Gihangchup. Studying the travel course of literati and the geographical books published in the late Chosun Dynasty, I found out the geographical location of the objects in the album and realized that the current order of leaves in the album is not in the original order. By combining these study results, I suggested the original order of the album. In the suggested new order, we can see that the style among dosed leaves is quite similar and that all the inscriptions on the first half leaves were written by Kang Sewhang, whereas those on the last half album leaves were written by Oh Suche.
I tried to illuminate the unknown areas of Songdo Gihangchup with a fresh look at the work, and produced some meaningful results. If we go on studying on the basis of these results, I believe we can grasp the true meaning of Songdo Gihangchup in the art history of the late Chosun Dynasty.
First, I focused on the concrete background of the creation of the album. In this album, there is Sasu's (士受) poem, Park Un's (朴誾) poem written by Kang Sewhang. and Kang Sewhang's colophon. Based on these, I found out that the real name of Sasu, who ordered this album, is Oh Suche (吳遂采, 1692-1759). He was very much interested in paintings as well as in poetry in the late Chosun Dynasty. Furthermore, looking into the ancestry of the Oh (吳) family, I discovered that brother Oh' in Kang Sewhang's colophon refers to Oh Unsa (吳彦思 1734-1776), who is Oh Suche‘s grandson. He kept this album after the death of his grandfather. I also found out that the exact year when Songdo Gihangchup was made was 1757, when Oh Suche worked as the administrator (留守) of Kaesung (開城).
Also, I paid attention to the geographical book Songdo Sokji (松都續志), edited by Oh Suche in 1757, the same year when Kang Sewhang made Songdo Gihangchup. Even though there is no clear evidence that shows the connection between the album Sondgo Gihangchup and the book Sondgo Sokji, I suggested that it was highly possible that the two were connected. This is because many public facilities, such as official residences. official ration storehouses, and a temple equipped with armory, were drawn in Songdo Gihangchup.
Through these studies and contemplations, the background of Sondgo Gihangchup became clear as follows: Kang Sewhang painted Songdo Gihangchup in 1757 for Oh Suche who was the administrator of Gaesung and the editor of the geographical book Songdo Sokji.
Next point on which I focused in this study, is the order of leaves in Songdo Gihangchup. Studying the travel course of literati and the geographical books published in the late Chosun Dynasty, I found out the geographical location of the objects in the album and realized that the current order of leaves in the album is not in the original order. By combining these study results, I suggested the original order of the album. In the suggested new order, we can see that the style among dosed leaves is quite similar and that all the inscriptions on the first half leaves were written by Kang Sewhang, whereas those on the last half album leaves were written by Oh Suche.
I tried to illuminate the unknown areas of Songdo Gihangchup with a fresh look at the work, and produced some meaningful results. If we go on studying on the basis of these results, I believe we can grasp the true meaning of Songdo Gihangchup in the art history of the late Chosun Dynasty.
목차
Ⅰ. 머리말
Ⅱ. 姜世晃의 安山 생활
Ⅲ. 《松都紀行帖》의 제작경위
Ⅳ. 《松都紀行帖》의 지리적 위치
Ⅴ. 《松都紀行帖》의 순서
Ⅵ. 맺음말
ABSTRACT
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UCI(KEPA) : I410-ECN-0101-2009-609-014719124