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초록· 키워드
오류제보하기
Charlotte Perkins Gilman's "The Yellow Wallpaper" is an 'autobiographical text' which seeks to recover the woman's self repressed by the Western patriarchal society. But this standpoint fails to read the resisting self defying the Western modern society and its discourses. Patriarchy has a conspiracy with the modem values in interpellating an individual as a subject in a society. In this paper, we will read "The Yellow Wallpaper" not only as a autobiographical text but also as a 'resistant text.'
In "The Yellow Wallpaper," the woman narrator is constructed as a subject by being prescribed as a patient in the male/medical discourse. However, this subject presents a misrecognized identity to the narrator. John, the narrator's husband and physician, describes his wife within the male/medical discourse conspired with the modem values such as reason, rationality. The narrator, a resisting self, rejects this unified and transcendental subject presented in her husband's authority and modem discourses.
The autobiographical text is a writing through which the writer writes about his or her own self instead of the subject given by the society. Autobiographical writing and the narrator's madness in this text are both the means of resistance. And yet, this text is Catherine Belsey's 'interrogative text,' which presents a splited self between 'the subject of the enounced' and 'the subject of the enunciation' to its readers. So, it can be said that this text is a resistant text which presents a self defying the modem discourses and constructing its own identity.
In "The Yellow Wallpaper," the woman narrator is constructed as a subject by being prescribed as a patient in the male/medical discourse. However, this subject presents a misrecognized identity to the narrator. John, the narrator's husband and physician, describes his wife within the male/medical discourse conspired with the modem values such as reason, rationality. The narrator, a resisting self, rejects this unified and transcendental subject presented in her husband's authority and modem discourses.
The autobiographical text is a writing through which the writer writes about his or her own self instead of the subject given by the society. Autobiographical writing and the narrator's madness in this text are both the means of resistance. And yet, this text is Catherine Belsey's 'interrogative text,' which presents a splited self between 'the subject of the enounced' and 'the subject of the enunciation' to its readers. So, it can be said that this text is a resistant text which presents a self defying the modem discourses and constructing its own identity.
목차
Ⅰ. 서론
Ⅱ. 저항의 전략들
Ⅲ. 저항적 텍스트
Ⅳ. 결론
인용문헌
Abstract
참고문헌 (17)
참고문헌 신청
[학술지(정기간행물)] - 노란 벽지 / 1992 / 표현의 정치학과 비교문화연구 : 27 ~ 40
[학술지(정기간행물)] - Belsey / 1991 / An Anthology of Literary Theory and Criticism : 593 ~ 609
[학술지(정기간행물)] - / 2002 / Critical Practice. 2nd ed.
[학술지(정기간행물)] - Benveniste,Emile / 1971 / Problems in General Linguistics
[학술지(정기간행물)] - Benstock, Shari / 1996 / ＂Authorizing the Autobiographical＂ Feminisms: An Anthology of Literary Theory and Criticism : 1040 ~ 1057
[학술지(정기간행물)] - Belsey / 1991 / An Anthology of Literary Theory and Criticism : 593 ~ 609
[학술지(정기간행물)] - / 2002 / Critical Practice. 2nd ed.
[학술지(정기간행물)] - Benveniste,Emile / 1971 / Problems in General Linguistics
[학술지(정기간행물)] - Benstock, Shari / 1996 / ＂Authorizing the Autobiographical＂ Feminisms: An Anthology of Literary Theory and Criticism : 1040 ~ 1057
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