지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
Imayo was the popular song in the last years of Heian age. Ryojinhisho is the book collecting a lot of Imayo. I'm going to deal with the song below among lots of Imayo.
Ukai is painful for killing the turtle which has lived to ten thousand kalpa and for using Cormorant on leashes to catch sweet fishes for a living. I manage to live a afflicting life but what intolerable anguish may happen to my life to come! (Alas! how dark! there will be a dead dark in my life to come. Alas!)
There are two theories about who is the speaker. First, the speaker is Ukai. Second, the third person. My point is the speaker is sure to be Ukai. So, I'm going to analyze the expressive method and the method of singing the text in another way as well as to consider the backgrounds of Ukai s anguish, the genesis of the sin and the process of overcoming the consciousness of guilt.
Ukai was a fisherman who did cormorant fishing which was a traditional method of river fishing that has been practiced in Japan from Manyo age. Fishermen use cormorant birds on leashes to catch sweet fish. Each birds are on a leash attached to a small metal ring that is attached around the base of the neck not to swallow a fish. The captured fish used to be offered to the Imperial family or nobles, who offered Kugonin as a post to Ukai, who are named Niebito. Also, they had a certain artisan.
Noblemen in Heian age was much amused to see Ukai. The fishermen attracted the fish by lighting bright burning fires called Kagaribi in the metal baskets suspended from the front of their boat. This Kagaribi made them feel elegant, secret and profoundly sweet.
The Buddhism, However, began around the sixth century and was widely spread in Heian age. It had influenced the whole society and had become spiritual precepts. Braking the Buddhist rules was considered a sin. Nevertheless, it is indispensable for Ukai to kill fishes and turtles, and to treat cormorant with cruelty for a living. They are sure to have suffered the sense of sin for breaking the Buddhist rule of prohibiting killing birds, fishes etc. Their agony and sufferings are expressed by Imayo. Furthermore, turtle a sacred animal not only in China and Korea but Japan. they would kill turtles, which believed to live to be ten thousand Kalpa, just to feed cormorants. It was impious to kill turtles. to be cruel to cormorants, and to catch the sweet fish. They thought that it is natural to be turned into hell in the view of Buddhism.
In Insei age, destruction of life was prohibited more strictly. Ukai, which had been regarded as sweet and elegant scene even in the world of Waka, turned into the sorrowful song - which has the texts of sufferings for the destruction of life and being afraid of turning into hell. Also there is the feeling of compassion in the texts. The song of Ukai has the deep sorrow for unkind treatment in their society, but still more a social aspect full of disorder in those days, propagation of Buddhism and the law of prohibiting destruction of life made Ukai have the anguished conscience and worry about pains in his life to come.
Buddhism played a major part in not only making Ukai sing the song of grief but also curing their grief. These facts are revealed by Honen shonin Eden : The book says that the aged husband and wife who are a fisher killing fishes, reciting the invocation to Buddha according to the lesson of Shonin, finally go to Paradise from piety. Also Ukai in Yukyoku reveals the same fact ; Ukai's ghost turned into hell from killing fishes and living things and suffered pain. He repented his sin to kill fishes and neglected the Buddhism. He, however, was rescued from the Buddhist mass of Nichiren shonin. Not only Ukai but a fisherman from Akoi turning into hell from destruction of life, he was rescued from the hell through a man paying Japanese memorial of Isejingu. In Utou, the ghost of a hunter from Ettyu killing a bird. Utou, turning into hell. he asked a mass for a Buddhist priest. All of theme of stories was suitable for comforting Ukai full of anguish in those days. Buddhism played a important role in formation of Imayo. The greater part of the people is sure to have been cured from the popular song, Imayo, which was mixed by the lesson of Buddhism and a familiar song, which played enough role in curing the mind suffered from the sense of sin and distress at the life to come. It is proved that a lot of miraculous virtu of Imayo are expressed in many pieces of articles in those days.
Ukai is painful for killing the turtle which has lived to ten thousand kalpa and for using Cormorant on leashes to catch sweet fishes for a living. I manage to live a afflicting life but what intolerable anguish may happen to my life to come! (Alas! how dark! there will be a dead dark in my life to come. Alas!)
There are two theories about who is the speaker. First, the speaker is Ukai. Second, the third person. My point is the speaker is sure to be Ukai. So, I'm going to analyze the expressive method and the method of singing the text in another way as well as to consider the backgrounds of Ukai s anguish, the genesis of the sin and the process of overcoming the consciousness of guilt.
Ukai was a fisherman who did cormorant fishing which was a traditional method of river fishing that has been practiced in Japan from Manyo age. Fishermen use cormorant birds on leashes to catch sweet fish. Each birds are on a leash attached to a small metal ring that is attached around the base of the neck not to swallow a fish. The captured fish used to be offered to the Imperial family or nobles, who offered Kugonin as a post to Ukai, who are named Niebito. Also, they had a certain artisan.
Noblemen in Heian age was much amused to see Ukai. The fishermen attracted the fish by lighting bright burning fires called Kagaribi in the metal baskets suspended from the front of their boat. This Kagaribi made them feel elegant, secret and profoundly sweet.
The Buddhism, However, began around the sixth century and was widely spread in Heian age. It had influenced the whole society and had become spiritual precepts. Braking the Buddhist rules was considered a sin. Nevertheless, it is indispensable for Ukai to kill fishes and turtles, and to treat cormorant with cruelty for a living. They are sure to have suffered the sense of sin for breaking the Buddhist rule of prohibiting killing birds, fishes etc. Their agony and sufferings are expressed by Imayo. Furthermore, turtle a sacred animal not only in China and Korea but Japan. they would kill turtles, which believed to live to be ten thousand Kalpa, just to feed cormorants. It was impious to kill turtles. to be cruel to cormorants, and to catch the sweet fish. They thought that it is natural to be turned into hell in the view of Buddhism.
In Insei age, destruction of life was prohibited more strictly. Ukai, which had been regarded as sweet and elegant scene even in the world of Waka, turned into the sorrowful song - which has the texts of sufferings for the destruction of life and being afraid of turning into hell. Also there is the feeling of compassion in the texts. The song of Ukai has the deep sorrow for unkind treatment in their society, but still more a social aspect full of disorder in those days, propagation of Buddhism and the law of prohibiting destruction of life made Ukai have the anguished conscience and worry about pains in his life to come.
Buddhism played a major part in not only making Ukai sing the song of grief but also curing their grief. These facts are revealed by Honen shonin Eden : The book says that the aged husband and wife who are a fisher killing fishes, reciting the invocation to Buddha according to the lesson of Shonin, finally go to Paradise from piety. Also Ukai in Yukyoku reveals the same fact ; Ukai's ghost turned into hell from killing fishes and living things and suffered pain. He repented his sin to kill fishes and neglected the Buddhism. He, however, was rescued from the Buddhist mass of Nichiren shonin. Not only Ukai but a fisherman from Akoi turning into hell from destruction of life, he was rescued from the hell through a man paying Japanese memorial of Isejingu. In Utou, the ghost of a hunter from Ettyu killing a bird. Utou, turning into hell. he asked a mass for a Buddhist priest. All of theme of stories was suitable for comforting Ukai full of anguish in those days. Buddhism played a important role in formation of Imayo. The greater part of the people is sure to have been cured from the popular song, Imayo, which was mixed by the lesson of Buddhism and a familiar song, which played enough role in curing the mind suffered from the sense of sin and distress at the life to come. It is proved that a lot of miraculous virtu of Imayo are expressed in many pieces of articles in those days.
목차
序言
1. 직인職人으로서의 우카이
2. ?飼は憐しや、?飼は悔しかゐ、
3. 우카이의 죄업감의 해소
結言
〈Abstract〉
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